The ear disapproves but tolerates certain musical pieces; transfer them into the domain of our nose, and we will be forced to flee.
Jean CocteauRead
The spirit of creation is the spirit of contradiction. It is the breakthrough of appearances toward an unknown reality.
Interpretation
Creation involves embracing contradictions to reveal deeper truths beyond what is immediately visible.
Jean Cocteau suggests that the act of creation is inherently tied to the presence of contradictions. By challenging our perceptions and transcending superficial appearances, true creativity emerges, allowing us to uncover unknown realities and explore new artistic expressions.
In practice
In a speech about artistic innovation, this quote highlights the necessity of embracing contradictions.
The ear disapproves but tolerates certain musical pieces; transfer them into the domain of our nose, and we will be forced to flee.
One must be a living man and a posthumous artist.
All good music resembles something. Good music stirs by its mysterious resemblance to the objects and feelings which motivated it.
Nothing ever gets anywhere. The earth keeps turning round and gets nowhere. The moment is the only thing that counts.
Listen carefully to first criticisms made of your work. Note just what it is about your work that critics don't like - then cultivate it. That's the only part of your work that's individual and worth keeping.
Watch yourself all your life in a mirror and you'll see Death at work like bees in a glass hive.
I can explain all the poems that were ever invented - and a good many that haven't been invented just yet.
I do feel that I have to use my voice for those that don't have one. I have to do the best I can in my own work to represent my culture, represent the women of my country, of Latin America. What we stand for. What we're made of.
Of all the wonders that the world had to offer, only art promised immortality.
I would like, if I can, to broaden the possibilities of the musical theater. I think there's a better 'Oklahoma!' someplace, a better 'West Side Story.' And I'd like to be mixed up in it.
People ask me why my figures have to be so black. There are a lot of reasons. First, the blackness is a rhetorical device. When we talk about ourselves as a people and as a culture, we talk about black history, black culture, black music. That's the rhetorical position we occupy.
Some actors, I think, want to feel that they are as creative as the writer. And the answer is, frankly, they're not.
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