The unspoken contract between ruler and subject is that in return for safety, prosperity, and prestige, the Russians entrust power and cede democratic freedoms to their leaders.
Simon Sebag-MontefioreRead
Under Stalin, artists weren't dissidents; all they hoped was to survive and write.
Interpretation
Under Stalin's regime, artists focused on mere survival rather than expressing dissent.
This quote reflects the harsh reality faced by artists during Stalin's rule, where the oppressive political environment stifled creativity and free expression. Instead of challenging the system or expressing their artistic vision, artists were primarily concerned with surviving the regime's scrutiny and censorship, which forced them into a position where compliance took precedence over innovation and dissidence.
In practice
In a discussion about the importance of artistic freedom in oppressive regimes.
The unspoken contract between ruler and subject is that in return for safety, prosperity, and prestige, the Russians entrust power and cede democratic freedoms to their leaders.
The vanishing of David Tang is like the unthinkable diappearance of a magnificent palace on a mythical mountaintop. He was a dreammaker, pianist, adventurer, writer, entrepreneur, scholar, connoisseur, and a great friend.
The political lives of tyrants play out human affairs with a special intensity: the death of a democratic leader long after his retirement is a private matter, but the death of a tyrant is always a political act that reflects the character of his power.
It's the mix of the trivial and the great events that make up history. It's the low things about high people that make it fascinating, and that's why it would be a shame to exclude the trivial things. That mixing up is not just at the heart of history. It's at the heart of how to live a great life.
The disorder, uncertainty, and strife of a revolution make citizens yearn for stable authority, or they turn to radicalism.
A revolution resembles the death of a fading star, an exhilarating Technicolor explosion that gives way not to an ordered new galaxy but to a nebula, a formless cloud of shifting energy.
A work-room should be like an old shoe; no matter how shabby, it's better than a new one.
Every film should have its own world, a logic and feel to it that expands beyond the exact image that the audience is seeing.
A good poem is an amazing thing: a perfectly distilled, articulate moment. It opens you up - sometimes slowly, like the blooming of a flower, and sometimes with a quick knife-slice.
A good film script should be able to do completely without dialogue.
Espresso is to Italy, what champagne is to France.
For most of my writing life, I've refused to allow myself to believe that writing was a significant form of action. I always felt very uneasy about the fact that all I did was write in a situation as desperate as apartheid South Africa. Whether I was correct or not is a different issue.
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