I don't want to think that the stories are finite; I want to feel that they can go on forever.
Interpretation
The quote expresses a desire for limitless creativity and storytelling potential.
Steven Moffat reflects on the infinite possibilities of storytelling, suggesting that true art is not bound by endings. He conveys the idea that stories—be they in literature, film, or other mediums—should evoke a sense of continuity and endless imagination, allowing characters and narratives to evolve indefinitely in the minds of the audience.
In practice
This quote can inspire creators at a storytelling workshop.
Demons run when a good man goes to war. Night will fall and drown the sun when a good man goes to war. Friendship dies and true love lies. Night will fall and the dark will rise when a good man goes to war. Demons run but count the cost; the battle's won but the child is lost.
It's a funny thing about stories. It doesn't feel like you make them up, more like you find them. You type and type and you know you haven't got it yet, because somewhere out there, there's that perfect thing -- the unexpected ending that was always going to happen. That place you've always been heading for, but never expected to go.
An awful lot of storytelling isn't really about making people understand - it's about making people care.
I'll be a story in your head. But that's OK. We're all stories, in the end. Just make it a good one, eh? Because it was, you know; it was the best.
The trouble with a series as it gets older is it can feel like a tradition, and tradition is the enemy of suspense, and it's the enemy of comedy. It's the enemy of everything, really. So you have to shake it up.
I know this is going to sound very self-serving, and I apologize for it, but if you can write comedy, you can pretty much write anything, because it's the hardest. It's the most technically demanding, the most precisely evaluated form of writing. People know if it works or not. There's a big button marked 'fail,' and that's when nobody laughs.
Arrogant, I think I have written lines which qualify me to be The Poetess of America (as Ted will be The Poet of England and her dominions).
I just don't think there's a lot of support for the woman's voice in cinema, and it becomes really difficult to raise that money and start again every time.
I see a movie as a way of learning about the world, about myself, and learning about my relationship with people and art.
I'd love to remain a secret and still work, but I also want people to see the movies I'm in and get a higher profile because of that. I like to think that as long as you continue choosing diverse roles, you can avoid becoming predictable.
There is nothing harder to estimate than a writer's time, nothing harder to keep track of. There are moments—moments of sustained creation—when his time is fairly valuable; and there are hours and hours when a writer's time isn't worth the paper he is not writing anything on.
All my movies are about strange worlds that you can't go into unless you build them and film them. That's what's so important about film to me. I just like going into strange worlds.
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