I don't want to think that the stories are finite; I want to feel that they can go on forever.
Interpretation
The quote expresses a desire for limitless creativity and storytelling potential.
Steven Moffat reflects on the infinite possibilities of storytelling, suggesting that true art is not bound by endings. He conveys the idea that stories—be they in literature, film, or other mediums—should evoke a sense of continuity and endless imagination, allowing characters and narratives to evolve indefinitely in the minds of the audience.
In practice
This quote can inspire creators at a storytelling workshop.
Demons run when a good man goes to war. Night will fall and drown the sun when a good man goes to war. Friendship dies and true love lies. Night will fall and the dark will rise when a good man goes to war. Demons run but count the cost; the battle's won but the child is lost.
It's a funny thing about stories. It doesn't feel like you make them up, more like you find them. You type and type and you know you haven't got it yet, because somewhere out there, there's that perfect thing -- the unexpected ending that was always going to happen. That place you've always been heading for, but never expected to go.
An awful lot of storytelling isn't really about making people understand - it's about making people care.
I'll be a story in your head. But that's OK. We're all stories, in the end. Just make it a good one, eh? Because it was, you know; it was the best.
The trouble with a series as it gets older is it can feel like a tradition, and tradition is the enemy of suspense, and it's the enemy of comedy. It's the enemy of everything, really. So you have to shake it up.
I know this is going to sound very self-serving, and I apologize for it, but if you can write comedy, you can pretty much write anything, because it's the hardest. It's the most technically demanding, the most precisely evaluated form of writing. People know if it works or not. There's a big button marked 'fail,' and that's when nobody laughs.
I had rescued the moment by using my camera and in that way had found how to stop time and hold it. No one could take that image away from me because I owned it.
Without the faintest possibility of finding a job, I decided to devote myself to literature: it was about time to find out what I was worth as a writer.
I think all art comes out of conflict. When I write I am always looking for the dramatic kernel of an event, the junctures of people's lives when they go in one direction, not another.
Do not write if there is no tremendous urge to do so. At the heart, there must be an inspiration or muse or one of those old-fashioned things. Else, why bore yourself, destroy other people's interest and kill trees?
In a photo, you just do a click, but in art you have to put in so much energy. This concentration of energy and attention says something that other media cannot say.
A writer's job is to imagine everything so personally that the fiction is as vivid as memories.
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