The story revolved around this universal identifiable fear that we must all have, at some point, when you commit yourself to being with another person, to have and to hold until death do us part. It's a huge thing. I just felt like it was a brilliant examination of what would happen, if the person that you trusted implicitly and thought you knew every follicle and pour of, inside and out, started to not be that person anymore, inside. Physically, they're still there, but they're not there mentally.
Weirdly, some of the middle stuff of the descent into something going wrong were the hardest, tonally. You don't want to jump the gun and be instantl… - Harry Treadaway
Weirdly, some of the middle stuff of the descent into something going wrong were the hardest, tonally. You don't want to jump the gun and be instantl…
- Harry Treadaway
The story revolved around this universal identifiable fear that we must all have, at some point, when you commit yourself to being with another perso… - Harry Treadaway
The story revolved around this universal identifiable fear that we must all have, at some point, when you commit yourself to being with another perso…
Tone is always such an important thing, and that's achieved through a multitude of people. It comes through the writing, it comes through the way it'… - Harry Treadaway
Tone is always such an important thing, and that's achieved through a multitude of people. It comes through the writing, it comes through the way it'…
I love playing a character that has more than 90 minutes, and that keeps going. - Harry Treadaway
I love playing a character that has more than 90 minutes, and that keeps going.
I think it's amazing to have one writer write every episode of a series. It's very rare, I think. You get a voice that continues. - Harry Treadaway
I think it's amazing to have one writer write every episode of a series. It's very rare, I think. You get a voice that continues.
The strength of the script, for me, was that you're really left, right till the end, to know what's happening. This seemingly perfect, happy, kooky r… - Harry Treadaway
The strength of the script, for me, was that you're really left, right till the end, to know what's happening. This seemingly perfect, happy, kooky r…
None of us really know where we're going. - Harry Treadaway
None of us really know where we're going.
The Victorian world is extremely dark and extremely bright. - Harry Treadaway
The Victorian world is extremely dark and extremely bright.
There's comedy in tragedy, and tragedy in comedy. There's always light and dark in most jobs. Whether it's framed as a comedy, drama or tragedy, you … - Harry Treadaway
There's comedy in tragedy, and tragedy in comedy. There's always light and dark in most jobs. Whether it's framed as a comedy, drama or tragedy, you …
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