I took comfort, as a kid, in knowing that things had always been as awful and as wonderful as they were now, that the world was always on the edge of total destruction.
Michael ChabonRead
A story begins with this nebulous feeling that’s hard to get a hold of and you’re testing your feelings and assumptions, testing what you believe. They end up turning into keepsakes and mementos –like amber in which a memory gets trapped.
Interpretation
This quote reflects on the elusive nature of storytelling, where emotions and beliefs crystallize into lasting memories.
Michael Chabon highlights the process of creating a story as one that begins with vague feelings, where a writer navigates through personal emotions and beliefs. Eventually, these uncertainties transform into significant memories or narratives, akin to how amber preserves ancient moments in time. This metaphor suggests that storytelling captures and preserves human experiences in a tangible form.
In practice
In a writing workshop, to talk about the importance of capturing emotions in stories.
I took comfort, as a kid, in knowing that things had always been as awful and as wonderful as they were now, that the world was always on the edge of total destruction.
I smoked and looked down at the bottom of Pittsburgh for a little while, watching the kids playing tiny baseball, the distant figures of dogs snatching at a little passing car, a miniature housewife on her back porch shaking out a snippet of red rug, and I made a sudden, frightened vow never to become that small, and to devote myself to getting bigger and bigger and bigger.
It's always thrilling to encounter the sweep of time in a work of fiction in a way that feels authentic and real.
[My dad] didn't do much apart from the traditional winning of bread. He didn't take me to get my hair cut or my teeth cleaned; he didn't make the appointments. He didn't shop for my clothes. He didn't make my breakfast, lunch, or dinner. My mom did all of those things, and nobody ever told her when she did them that it made her a good mother.
You need three things to become a successful novelist: talent, luck and discipline. Discipline is the one element of those three things that you can control, and so that is the one that you have to focus on controlling, and you just have to hope and trust in the other two.
The two dozen commonplace childhood photographs - snowsuit, pony, tennis racket, looming fender of a Dodge - were an inexhaustible source of wonder for him, at her having existed before he met her, and of sadness for his possessing nothing of the ten million minutes of that black-and-white scallop-edged existence save these few proofs.
I don't know exactly how I end up with some of these roles. It mystifies me sometimes, but I am a fan of sci-fi. I love being taken into a strange world, and when it's told with imagination and credibility, I love being taken on that trip. I always have.
Every single thing you see on-screen came out of somebody's creativity. It doesn't exist. Nature didn't deliver it to us. Everything had to be dreamed.
All I needed was a steady table and a typewriter...a marble-topped bedroom washstand table made a good place; the dining-room table between meals was also suitable.
The world has never before had as much drama as today. Radio, films, television and video inundate us with drama. But while these forms can engage or even enrage the audience, in none of them can the viewer’s response alter the artistic event itselfThat is why theatre is signing its own death warrant when it tries to play too safe. On the other hand, that is also the reason why, although its future often seems bleak, theatre will continue to live and to provoke.
To finish is sadness to a writer — a little death. He puts the last word down and it is done. But it isn't really done. The story goes on and leaves the writer behind, for no story is ever done.
No one can write a best seller by trying to. He must write with complete sincerity; the clichés that make you laugh, the hackneyed characters, the well-worn situations, the commonplace story that excites your derision, seem neither hackneyed, well worn nor commonplace to him. ... The conclusion is obvious: you cannot write anything that will convince unless you are yourself convinced. The best seller sells because he writes with his heart's blood.
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