I had to learn to do everything because I couldn't find another kindred soul. Now you see eighty people listed doing the same things I was doing by myself.
Ray HarryhausenRead
There’s a strange quality in stop-motion photography, like in King Kong, that adds to the fantasy. If you make things too real, sometimes you bring it down to the mundane.
Interpretation
What this quote means
Stop-motion photography enhances fantasy by avoiding overly realistic details.
Ray Harryhausen suggests that the unique characteristics of stop-motion photography contribute to the creation of fantasy worlds. By not adhering strictly to realism, the art can transform the ordinary into something magical, allowing viewers to engage their imagination rather than being confronted with the mundane aspects of reality.
Themes
Stop-MotionPhotographyFantasyRealismArt
In practice
Example use cases
This quote can be used in a film discussion to highlight the artistic choices in visual storytelling.
More from Ray Harryhausen
All quotes →Similar quotes
The general public, formerly profoundly indifferent to everything to do with building, has been shaken out of its torpor; personal interest in architecture as something that concerns every one of us in our daily lives has been very widely aroused; and the broad line of its future development are already clearly discernible.
Walter GropiusRead
Unlike all the other art forms, film is able to seize and render the passage of time, to stop it, almost to possess it in infinity. I'd say that film is the sculpting of time.
Andrei TarkovskyRead
I sang a lot as a little girl and entered competitions. I loved singing in choirs, but it was as I got older that I really found my voice.
Annie LennoxRead
I was born in a world of opera, theatre, films, poetry, art, and therefore, out of the wire, I made a stage. That's why they call me a high wire artist.
Philippe PetitRead
No person who is not a great sculptor or painter can be an architect. If he is not a sculptor or painter, he can only be a builder.
John RuskinRead
The first work of the director is to set a mood so that the actor's work can take place, so that the actor can create. And in order to do that, you have to communicate, communicate with the actors. And direction is about communication on all levels.
William FriedkinRead