I used to work very long hours. Then I started to realize that the stuff that I was writing in the late afternoons, I was generally throwing out. So I quit earlier than I used to.
Robert CaroRead
You come in off the street, through the doors of the theater. You sit down. The lights go down and the curtain goes up. And you're in another world
Interpretation
The quote emphasizes the transformative experience of watching a performance in a theater.
This quote highlights the magical experience of entering a theater, where the mundane world fades away as the performance transports you into a different reality. It speaks to the immersive power of art and storytelling, inviting individuals to lose themselves in the universe crafted by the creators on stage.
In practice
During a speech about the importance of the arts, this quote can illustrate the impact of theater on our lives.
I used to work very long hours. Then I started to realize that the stuff that I was writing in the late afternoons, I was generally throwing out. So I quit earlier than I used to.
Long Island is shaped the way it is largely because of Robert Moses. Long Island is a perfect example of how political power shapes people's lives every day.
What would be the good of rushing? You want these books to last.
I sometimes feel that if your book sells more than 20 years, then there's something in it that you can say, gee, I did something that endures, that's timeless
If you really want to show power in its larger aspects, you need to show the effects on the powerless, for good or ill - the human cost of public works. That's what I try to do, show not only how power works but its effect on people.
It's very easy to fool yourself that you're working, you know, when you're really not working very hard. I mean, I'm very lazy. So for me, I would always have an excuse, you know, to go - quit early, go to a museum, you know. So I do everything I can to make myself remember this is a job. I keep a schedule.
Paris was a universe whole and entire unto herself, hollowed and fashioned by history; so she seemed in this age of Napoleon III with her towering buildings, her massive cathedrals, her grand boulevards and ancient winding medieval streets - as vast and indestructible as nature itself.
On Creating β What we crave, what we want to see in others eyes, is that servile expression, an unconcealed infatuation with our gestures.
In the modern world, all literary art is necessarily political -- especially that which pretends not to be.
Outlaws, like lovers, poets, and tubercular composers who cough blood onto piano keys, do their finest work in the slippery rays of the moon.
But once you've made a song and you put it out there, you don't own it anymore. The public own it. It's their song. It might be their song that they wake up to, or their song they have a shower to, or their song that they drive home to or their song they cry to, scream to, have babies to, have weddings to - like, it isn't your song anymore.
I hope that I can make good music out of whatever genre I go into. Just to prove to myself that I can.
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