I used to work very long hours. Then I started to realize that the stuff that I was writing in the late afternoons, I was generally throwing out. So I quit earlier than I used to.
Robert CaroRead
You come in off the street, through the doors of the theater. You sit down. The lights go down and the curtain goes up. And you're in another world
Interpretation
The quote emphasizes the transformative experience of watching a performance in a theater.
This quote highlights the magical experience of entering a theater, where the mundane world fades away as the performance transports you into a different reality. It speaks to the immersive power of art and storytelling, inviting individuals to lose themselves in the universe crafted by the creators on stage.
In practice
During a speech about the importance of the arts, this quote can illustrate the impact of theater on our lives.
I used to work very long hours. Then I started to realize that the stuff that I was writing in the late afternoons, I was generally throwing out. So I quit earlier than I used to.
Long Island is shaped the way it is largely because of Robert Moses. Long Island is a perfect example of how political power shapes people's lives every day.
What would be the good of rushing? You want these books to last.
I sometimes feel that if your book sells more than 20 years, then there's something in it that you can say, gee, I did something that endures, that's timeless
If you really want to show power in its larger aspects, you need to show the effects on the powerless, for good or ill - the human cost of public works. That's what I try to do, show not only how power works but its effect on people.
It's very easy to fool yourself that you're working, you know, when you're really not working very hard. I mean, I'm very lazy. So for me, I would always have an excuse, you know, to go - quit early, go to a museum, you know. So I do everything I can to make myself remember this is a job. I keep a schedule.
There are neither good nor bad subjects. From the point of view of pure Art, you could almost establish it as an axiom that the subject is irrelevant, style itself being an absolute manner of seeing things.
Many claim I am a photographer of tragedy. In the greater sense I am not, for though I often photograph where the tragic emotion is present, the result is almost invariably affirmative.
Whenever I start writing, I try to put together songs that feed the feeling of the movie.
Consulting the rules of composition before taking a photograph, is like consulting the laws of gravity before going for a walk.
Music and silence combine strongly because music is done with silence, and silence is full of music.
I've played guitar in so many different styles, and I want to revisit them all.
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