I'm always drawn to stories that people don't know about, particularly when they're inside of a story that everyone knows about.
Robert RedfordRead
Have a strong vision about the story you want to tell and how you want to tell it.
Interpretation
This quote emphasizes the importance of having a clear vision in storytelling.
Robert Redford highlights that in the realm of storytelling, whether through film, literature, or other forms, a strong vision is crucial. This vision shapes not only the narrative but also the method and style of its presentation, allowing creators to effectively communicate their ideas and connect with their audience.
In practice
During a filmmaking workshop, an instructor quoted Redford to emphasize the importance of vision in creating compelling narratives.
I'm always drawn to stories that people don't know about, particularly when they're inside of a story that everyone knows about.
People say I've gone against Hollywood, but I've tried to be independent within Hollywood, tried to be my own person.
When I was a kid, all I knew was that I felt more comfortable sitting in one chair than in another. And now I realize it was because one chair was older. I still respond directly to the age of things.
For me, the Sundance Institute is just an extension of something I believed in, which is creating a mechanism for new voices to have a place to develop and be heard.
Storytelling was a way to see the world bigger than the one you were looking at, and that had great appeal for me. I think, since that was part of my upbringing, it became part of me, and I wanted to pass it along to my kids and my grandkids.
Be careful of success; it has a dark side.
The artist appeals to that part of our being...which is a gift and not an acquisition - and, therefore, more permanently enduring.
I like films that take their time a little bit more and don't show you all of their cards right away, characters that are conflicted and contradicting and seem one way at first and then suddenly turn out to be something else.
I am not the kind of director who sits in a chair smoking a cigar talking with a microphone to 10 assistants. I need to move. To touch. To put a painting on a wall. To arrange a set.
My mother said to me, 'If you are a soldier, you will become a general. If you are a monk, you will become the Pope.' Instead, I was a painter, and became Picasso.
One of the best things about directing movies, as opposed to merely writing them, is that there's no confusion about who's to blame: you are.
In no other sport is the connection between performer and observer so intimate, so frequently painful, so unresolved
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