The novels that attract me most are those that create an illusion of transparency around a knot of human relationships as obscure, cruel, and perverse as possible.
Italo CalvinoRead
The struggle of literature is in fact a struggle to escape from the confines of language; it stretches out from the utmost limits of what can be said; what stirs literature is the call and attraction of what is not in the dictionary.
Interpretation
Literature transcends the limitations of language, reaching for the unexpressed and unspeakable.
This quote by Italo Calvino emphasizes the inherent challenge literature faces in adequately conveying the complexities of human experience. It suggests that true literary art struggles against the constraints of language, seeking to express emotions, thoughts, and ideas that often elude precise definition, drawing inspiration from what lies beyond the boundaries of conventional vocabulary.
In practice
This quote can be used in a literary analysis presentation to discuss the limitations and possibilities of language in literature.
The novels that attract me most are those that create an illusion of transparency around a knot of human relationships as obscure, cruel, and perverse as possible.
Your first book is the only one that matters. Perhaps a writer should write only that one. That is the one moment when you make the big leap; the opportunity to express yourself is offered that once, and you untie the knot within you then or never again.
...and every Wednesday the perfumed young lady slips me a hundred-crown note to leave her alone with the convict. And by Thursday the hundred crowns are already gone in so much beer. And when the visiting hour is over, the young lady comes out with the stink of jail in her elegant clothes; and the prisoner goes back to his cell with the lady's perfume in his jailbird's suit. And I'm left with the smell of beer. Life is nothing but trading smells.
Nobody these days holds the written word in such high esteem as police states do.
Fantasy is like jam. . . . You have to spread it on a solid piece of bread. If not, it remains a shapeless thing . . . out of which you can’t make anything.
Work stops at sunset. Darkness falls over the building site. The sky is filled with stars. "There is the blueprint," they say.
As a photographer who is constantly in violent, bloody situations where the instinct is to turn away, I am always trying to figure out how to make people not turn away.
The old idea of a composer suddenly having a terrific idea and sitting up all night to write it is nonsense. Nighttime is for sleeping.
I am a painter with letters. I want to restore everything, mix everything up and say everything.
I start from one point and go as far as possible. But, unfortunately, I never lose my way. I 'localize,' which is to say that I think always in a given space. I rarely think of the whole of a solo, and only very briefly. I always return to the small part of the solo that I was in the process of playing.
My work is not about paint. It's about paint at the service of something else. It is not about gooey, chest-beating, macho '50s abstraction that allows paint to sit up on the surface as subject matter about paint.
I didn't know I was a zombie pedant until I started considering what from the zombie canon to keep in 'Zone One' and what to ignore.
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