Study, find all the good teachers and study with them, get involved in acting to act, not to be famous or for the money. Do plays. It's not worth it if you are just in it for the money. You have to love it.
Interpretation
Pursue your passion for acting for the love of the craft rather than for fame or financial gain.
Philip Seymour Hoffman's quote emphasizes the importance of passion and genuine interest in art, particularly in acting. He advocates for studying under skilled teachers and immersing oneself in the practice of acting, highlighting that the true value lies not in seeking fame or money, but in loving what you do and committing to the craft for its own sake.
In practice
This quote can be used as a motivational speech during a drama workshop.
I think I would have drank myself to death, literally, if I didn't just stop, once and for all when I did. I am not ever going to preach to anyone about drugs or drinking. But, for me, when they were around, I had no self control.
Well, in the theater, I think you're actually more responsible for what is going on onstage as a director than you are in film.
I've had to make the transition from sweeping in for 15 minutes, doing my stuff and clearing out, to carrying a movie for the duration - in a dress.
I had insecurities and fears like everybody does, and I got over it. But I was interested in the parts of me that struggled with those things.
I didn't have any idea that I would be able to have a career in film.
There’s a period of time in your life when I kind of look back, and I’m like, was I happy, or was I just not aware?
When you look at Japanese traditional architecture, you have to look at Japanese culture and its relationship with nature. You can actually live in a harmonious, close contact with nature - this very unique to Japan.
I'm gonna keep making music that hopefully I think is good, and whatever comes out of that, that will be fine with me.
Asking an artist to talk about his work is like asking a plant to discuss horticulture.
What you wear is how you present yourself to the world, especially today, when human contacts are so quick. Fashion is instant language.
It is all very well to copy what one sees, but it is far better to draw what one now only sees in one's memory. That is a transformation in which imagination collaborates with memory.
I can't distract myself enough here, for sketches to a new opera are constantly buzzing around in my head, to the extent that I need all my strength to wrest myself from them.
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