Study, find all the good teachers and study with them, get involved in acting to act, not to be famous or for the money. Do plays. It's not worth it if you are just in it for the money. You have to love it.
Interpretation
Pursue your passion for acting for the love of the craft rather than for fame or financial gain.
Philip Seymour Hoffman's quote emphasizes the importance of passion and genuine interest in art, particularly in acting. He advocates for studying under skilled teachers and immersing oneself in the practice of acting, highlighting that the true value lies not in seeking fame or money, but in loving what you do and committing to the craft for its own sake.
In practice
This quote can be used as a motivational speech during a drama workshop.
I think I would have drank myself to death, literally, if I didn't just stop, once and for all when I did. I am not ever going to preach to anyone about drugs or drinking. But, for me, when they were around, I had no self control.
Well, in the theater, I think you're actually more responsible for what is going on onstage as a director than you are in film.
I've had to make the transition from sweeping in for 15 minutes, doing my stuff and clearing out, to carrying a movie for the duration - in a dress.
I had insecurities and fears like everybody does, and I got over it. But I was interested in the parts of me that struggled with those things.
I didn't have any idea that I would be able to have a career in film.
There’s a period of time in your life when I kind of look back, and I’m like, was I happy, or was I just not aware?
Color is a power which directly influences the soul.
Colours shone with exceptional clarity in the rain. The ground was a deep black, the pine branches a brilliant green, the people wrapped in yellow looking like special spirits that were allowed to wander over the earth on rainy mornings only.
All writing is the same: It's just making up lies until it starts to sound like the truth. That's what I do.
The army from Asia introduced a foreign luxury to Rome; it was then the meals began to require more dishes and more expenditure . . . the cook, who had up to that time been employed as a slave of low price, become dear: what had been nothing but a metier was elevated to an art.
I had just arrived in New York from California. I was nineteen years old and excited beyond belief. I was an art student and an acting student and behaved as most young actors did - meaning that there was no such thing as a good actor, 'cause you yourself hadn't shown up yet.
Without tradition, art is a flock of sheep without a shepherd. Without innovation, it is a corpse.
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