Because of writers like Chinua Achebe and Camara Laye β¦ I realized that people like me, girls with skin the color of chocolate, whose kinky hair could not form ponytails, could also exist in literature.
Chimamanda Ngozi AdichieRead
Successful fiction does not need to be validated by 'real life'; I cringe whenever a writer is asked how much of a novel is 'real'.
Interpretation
Fiction should stand on its own without needing to reflect reality.
Chimamanda Ngozi Adichie's quote emphasizes that the value and success of fiction do not rely on its connection to real life. The essence of a novel lies in its imaginative narrative and the emotional truths it conveys, rather than factual accuracy. When writers are pressured to justify the realism of their work, it undermines the creative freedom that is essential to storytelling.
In practice
In a writing workshop, to encourage creativity without fear of realism.
Because of writers like Chinua Achebe and Camara Laye β¦ I realized that people like me, girls with skin the color of chocolate, whose kinky hair could not form ponytails, could also exist in literature.
The real tragedy of our postcolonial world is not that the majority of people had no say in whether or not they wanted this new world; rather, it is that the majority have not been given the tools to negotiate this new world.
If I had not grown up in Nigeria- and if all I knew of Africa were of popular images- I too would think that africa was a place of beautiful landscapes, beautiful animals and incomprehensible people fighting sensless wars, dying of poverty and aids- unable to speak for themselves and waiting to be saved by a kind white foreigner.
Stories can break the dignity of a people, but stories can also repair that broken dignity.
You can't write a script in your mind and then force yourself to follow it. You have to let yourself be.
Non-fiction, and in particular the literary memoir, the stylised recollection of personal experience, is often as much about character and story and emotion as fiction is.
You're...writing for other writers to an extent-the dead writers whose work you admire, as well as the living writers you like to read.
As an artist, I used to think that my responsibility was to do good work. But I had to learn from the '70s on that being a public figure presents another aspect of responsibility.
Asymmetric balance creates greater reader interest. Pleasure derived from observing asymmetrical arrangements lies partly in overcoming resistances, which, consciously or not, the spectator adjusts in his own mind.
Most architects think in drawings, or did think in drawings; today, they think on the computer monitor. I always tried to think three dimensionally. The interior eye of the brain should be not flat but three dimensional so that everything is an object in space. We are not living in a two-dimensional world.
Generally, we use light to illuminate other things. I like the thingness, the materiality of light itself. So it feels like it's occupying the space, making a plane, being something that was there, not just passing through. Because light is just passing through. I make these spaces that seem to arrest it for our perception.
Curves are the essence of my work because they are the essence of Brazil, pure and simple.
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