Ten days after the war ended, my sister Laura drove a car off a bridge.
Interpretation
The quote reflects on the emotional aftermath and personal crises that can follow traumatic events like war.
Margaret Atwood's quote starkly illustrates how the end of war does not necessarily equate to a return to normalcy for individuals, particularly for those who have been deeply affected by the conflict. The act of Laura driving a car off a bridge symbolizes a profound struggle with despair and the lingering scars that war can leave on personal relationships and mental health, emphasizing the theme that survival does not mean healing.
In practice
In a discussion about the mental health impacts of war veterans, this quote can emphasize the hidden struggles they face.
If I am good enough and quiet enough, perhaps after all they will let me go; but it’s not easy being quiet and good, it’s like hanging on to the edge of a bridge when you’ve already fallen over; you don’t seem to be moving, just dangling there, and yet it is taking all your strength.
I would like to believe this is a story I’m telling. I need to believe it. I must believe it. Those who can believe that such stories are only stories have a better chance. If it’s a story I’m telling, then I have control over the ending. Then there will be an ending, to the story, and real life will come after it. I can pick up where I left off.
What else can I do? Once you've gone this far you aren't fit for anything else. Something happens to your mind. You're overqualified, overspecialized, and everybody knows it. Nobody in any other game would be crazy enough to hire me. I wouldn't even make a good ditch-digger, I'd start tearing apart the sewer-system, trying to pick-axe and unearth all those chthonic symbols - pipes, valves, cloacal conduits... No, no. I'll have to be a slave in the paper-mines for all time.
We love each other, that’s true whatever it means, but we aren’t good at it; for some it’s a talent, for others only an addiction.
I've learned quite a lot, over the years, by avoiding what I was supposed to be learning.
Knowing too much about other people puts you in their power, they have a claim on you, you are forced to understand their reasons for doing things and then you are weakened.
I got into Facebook late, and I think if you get into Facebook late, you tend to use it the right way, as opposed to the people who got into it sooner and friended everybody and now have a thousand friends. I keep it at about 80 or so, and they're all people I know. Just because I do a movie doesn't mean I friend everybody in it.
My mother wouldn't allow me to speak slang when I was growing up. But when I got outside, around my friends, it was 'Yo' and 'That's the joint' and 'Yo, what's up?' So I had my game for my friends and my game for my mom.
I tried during the 1974 campaign to show my husband not as the aloof intellectual people think he is, but the warm, passionate man I know. But the day after the election - after I'd worked so hard - I was put back on the shelf. I was devastated.
My brother Allie had this left-handed fielder's mitt. he was left handed. The thing that was descriptive about it though, was that he had poems written all over the fingers and the pocket and everywhere. In green ink. He wrote them on it so that he'd have something to read when he was in the field and nobody was up to bat
you can't really know the person standing before you, because always there is some missing piece
All companionship can consist in only the strengthening of neighboring solitudes, giving oneself is by nature harmful to companionship: for when a person abandons himself, he is no longer anything, and when two people both give themselves up in order to become closer to each other, there is no longer any ground beneath them and their being together is a continual falling – I have learned over and over again, there is scarcely anything more difficult than to love one another.
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