The common idea that success spoils people by making them vain, egotistic and self-complacent is erroneous; on the contrary it makes them, for the most part, humble, tolerant and kind.
W. Somerset MaughamRead
Thank God, I can look at a sunset now without having to think how to describe it
Interpretation
The quote expresses gratitude for the ability to appreciate beauty without the pressure of needing to articulate it.
W. Somerset Maugham's quote highlights the joy of simply experiencing beauty, such as a sunset, without the compulsion to analyze or describe it. It suggests that true appreciation comes from a place of personal reflection rather than the need to communicate or explain the experience to others.
In practice
A speaker at an art exhibit might use this quote to convey the importance of experiencing art beyond verbal expression.
The common idea that success spoils people by making them vain, egotistic and self-complacent is erroneous; on the contrary it makes them, for the most part, humble, tolerant and kind.
Cronshaw stopped for a moment to drink. He had pondered for twenty years the problem whether he loved liquor because it made him talk or whether he loved conversation because it made him thirsty.
Are you sure you can prevent yourself from falling in love one of these days? Such things do happen, you know, even to the most prudent men.' Simon gave him a strange, one might even have thought a hostile, look. I should tear it out of my heart as I'd wrench out of my mouth a rotten tooth.
I don't think of the past. The only thing that matters is the everlasting present.
The world is quickly bored by the recital of misfortune, and willing avoids the sight of distress.
There in the mist, enormous, majestic, silent and terrible, stood the Great Wall of China. Solitarily, with the indifference of nature herself, it crept up the mountain side and slipped down to the depth of the valley.
To be a great painter means to be a great poet: someone who transcends the limits of his language.
I think producers are more interested in backing concepts than directors and writers. I don't think that's the right way of making a decision about whether you're going to back a film or not.
No design can exist in isolation. It is always related, sometimes in very complex ways, to an entire constellation of influencing situations and attitudes. What we call a good design is one which achieves integrity β that is, unity or wholeness β in balanced relation to its environment.
For such is the fate of parody: it must never fear exaggerating. If it strikes home, it will only prefigure something that others will then do without a smile--and without a blush--in steadfast virile seriousness.
I think every actor would wish there is some challenge that is left. I would consider to be creatively dead if I were to say that I am satisfied now.
You can take things that Jimi Hendrix took, from Curtis Mayfield or from Buddy Guy for example, because we are all children of everything, even Picasso. But if you want to stand out, you have to learn to crystallize your existence and create your own fingerprints.
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