The process of art evolving is always one which has fascinated me.
In any art movement, the art has to move into a new phase - a filmmaker has a desire to make a film that is not like a previous film. - Norman Mclaren
In any art movement, the art has to move into a new phase - a filmmaker has a desire to make a film that is not like a previous film.
- Norman Mclaren
And so my militant philosophy is this: to make with a brush on canvas is a simple direct delight-to make with the movie is the same. - Norman Mclaren
And so my militant philosophy is this: to make with a brush on canvas is a simple direct delight-to make with the movie is the same.
Animation is manipulating the difference. - Norman Mclaren
Animation is manipulating the difference.
I have tried to preserve in my relationship to the film the same closeness and intimacy that exists between a painter and his canvas. - Norman Mclaren
I have tried to preserve in my relationship to the film the same closeness and intimacy that exists between a painter and his canvas.
So people will come along and do new things and sometimes return to the spirit of an earlier age. - Norman Mclaren
So people will come along and do new things and sometimes return to the spirit of an earlier age.
By drawing or exposing two or more patterns on the same bit of film I can create harmony and textual effects. - Norman Mclaren
By drawing or exposing two or more patterns on the same bit of film I can create harmony and textual effects.
I like black and white films. I don't exactly know why - probably because there is a stylization which is removed from actual life, unlike a color fi… - Norman Mclaren
I like black and white films. I don't exactly know why - probably because there is a stylization which is removed from actual life, unlike a color fi…
Unless it's done superbly, as in the Japanese film Gate of Hell, color can be a very distracting element. - Norman Mclaren
Unless it's done superbly, as in the Japanese film Gate of Hell, color can be a very distracting element.
The number of strokes to the inch controls the pitch of the note: the more, the higher the pitch; the fewer, the lower the pitch, the size of the str… - Norman Mclaren
The number of strokes to the inch controls the pitch of the note: the more, the higher the pitch; the fewer, the lower the pitch, the size of the str…
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