If I create from the heart, nearly everything works; if from the head, almost nothing.
Marc ChagallRead
I adore the theater and I am a painter. I think the two are made for a marriage of love. I will give all my soul to prove this once more.
Interpretation
Chagall expresses his deep passion for both theater and painting, suggesting they complement each other beautifully.
Marc Chagall highlights the intimate connection he feels between theater and painting, suggesting that both forms of art can coexist and enrich each other. His statement reflects a belief in the transformative power of art, where the emotional and visual expressions found in both disciplines can intertwine to create a deeper experience for both the artist and the audience.
In practice
During a lecture on the relationship between different forms of art.
If I create from the heart, nearly everything works; if from the head, almost nothing.
Art must be an expression of love or it is nothing.
The dignity of the artist lies in his duty of keeping awake the sense of wonder in the world. In this long vigil he often has to vary his methods of stimulation; but in this long vigil he is also himself striving against a continual tendency to sleep.
Color is vibration like music; everything is vibration.
If all life moves inevitably towards its end, then we must, during our own, colour it with our colours of love and hope.
For me a stained glass window is a transparent partition between my heart and the heart of the world.
I never even thought about whether or not they understand what I'm doing . . . the emotional reaction is all that matters as long as there's some feeling of communication, it isn't necessary that it be understood.
You sang in church, you know, and you didn't act at all. You tried not to act, you tried to tell the truth. The idea of being a troubadour on the road singing for your supper was very disturbing to him.
Wine loved I deeply, dice dearly.
He stared up at the stars: and it seemed to him then that they were dancers, stately and graceful, performing a dance almost infinite in its complexity.
The trouble with a series as it gets older is it can feel like a tradition, and tradition is the enemy of suspense, and it's the enemy of comedy. It's the enemy of everything, really. So you have to shake it up.
If you want to find out what a writer or a cartoonist really feels, look at his work. That's enough.
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