There's racist casting, and there is normal casting. Normal casting, to me, is a process that strives for representation and, in many cases, strives to simply portray the world as it actually is instead of as falsely non-inclusive. And sadly, sometimes that involves removing the whitewash that exists on history.
Interpretation
The quote emphasizes the importance of authentic representation in casting, contrasting it with casting that maintains outdated racial stereotypes.
Shonda Rhimes discusses the distinction between racist casting and normal casting, highlighting the need for representation in the arts that reflects the true diversity of the world. She suggests that normal casting should challenge historical inaccuracies and inclusiveness, urging the removal of the biases that have historically whitewashed narratives, leading to a more genuine portrayal of society.
In practice
This quote could be used in a speech about the importance of diversity in film and television.
I have so much going on inside my head in terms of writing, there's such a large space in my life taken up by that. I can't imagine it being taken up by a husband and children and writing, and everything getting its due. I don't believe there is room for all of it. I really don't.
There's always women of many different races on my shows, and there are always women who look many different ways, but there is still a size thing in this industry. It's hard. I mean to have to say, 'I want a larger woman to be an actor on my shows.' Or, 'Find me a larger woman,' is almost insulting to me.
When the script is finished, and you're sitting around at a table read, and all the actors are reading the words that you've written, and you're hearing it out loud for the first time, that is always, every single time, no matter what, a magical process.
We all think we’re going to be great and we feel a little bit robbed when our expectations aren’t met. But sometimes our expectations sell us short. Sometimes the expected simply pales in comparison to the unexpected. You got to wonder why we cling to our expectations, because the expected is just what keeps us steady. Standing. Still. The expected's just the beginning, the unexpected is what changes our lives.
In my house, you got in trouble if you didn't speak up. My mom would be furious at us if we went to school and behaved nicely if someone treated us badly. If we got in trouble because we had yelled at them or told them that they were wrong, my mother would be like, 'Good job.'
When I'm hard at work, when I'm deep in it, there is no other feeling. For me, my work is at all times building a nation out of thin air. It is manning the troops. It is painting a canvas. It is hitting every high note. It is running a marathon. It is being Beyonce. And it is all of those things at the same time.
It took me two years to walk around a chair with ease; it took me another two years to learn how to laugh onstage - and I had to learn everything.
I want a storm to come and flood us into a song that no one wrote.
When I started working on ambient music, my idea was to make music that was more like painting.
You should create a work that is so valuable it might eventually sell at a high price, but you've got to concentrate on how you create that artwork.
I get thousands of letters, and they give me a feeling of how each book is perceived. Often I think I have written about a certain theme, but by reading the letters or reviews, I realise that everybody sees the book differently.
But who is this, what thing of sea or land,- Female of sex it seems,- That so bedeck'd, ornate, and gay, Comes this way sailing Like a stately ship Of Tarsus, bound for th' isles Of Javan or Gadire, With all her bravery on, and tackle trim, Sails fill'd, and streamers waving, Courted by all the winds that hold them play, An amber scent of odorous perfume Her harbinger?
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