Kiss me with rain on your eyelashes, come on, let us sway together, under the trees, and to hell with thunder.
Edwin MorganRead
When you go, if you go, And I should want to die, there's nothing I'd be saved by more than the time you fell asleep in my arms in a trust so gentle I let the darkening room drink up the evening, till rest, or the new rain lightly roused you awake. I asked if you heard the rain in your dream and half dreaming still you only said, I love you.
Interpretation
This quote expresses a deep, tender love that transcends even the idea of loss or dying.
In this poignant reflection, Edwin Morgan captures a moment of intimacy and vulnerability between two lovers. The imagery of falling asleep in each other's arms symbolizes trust and a profound connection that is so strong that even the thought of parting becomes bearable. The gentle nature of the scene, combined with the acknowledgment of love in a dreamlike state, emphasizes that true love offers solace and comfort even in dark times.
In practice
This quote can be shared during a wedding toast to highlight the beauty of love.
Kiss me with rain on your eyelashes, come on, let us sway together, under the trees, and to hell with thunder.
Thank you, Mr. Rochester, for your great kindness. I am strangely glad to get back again to you: and wherever you are is my home—my only home.
It is wrong to think that love comes from long companionship and persevering courtship. Love is the offspring of spiritual affinity and unless that affinity is created in a moment, it will not be created for years or even generations.
He loved her, of course, but better than that, he chose her, day after day. Choice: that was the thing.
You’ll meet her. She’s very pretty, even though sometimes she’s sad for many days at a time. You’ll see, when she smiles, you’ll love her.
I truly love my fans. Truly, truly from the heart. That's the real truth. I love them.
But it is just two lovers, holding hands and in a hurry to reach their car, their locked hands a starfish leaping through the dark.
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