The only thing that can save the world is the reclaiming of the awareness of the world. That's what poetry does. By poetry I mean the imagining of what has been lost and what can be found - the imagining of who we are and the slow realization of it.
Interpretation
The quote emphasizes that poetry helps us regain awareness of our world and our identity.
Allen Ginsberg suggests that the world can only be saved by restoring our awareness of its beauty and truths through the medium of poetry. By 'poetry', he refers not only to written words but to the imaginative act of reflecting on our past losses and potential recoveries, ultimately leading to a deeper understanding of ourselves and our place in the world.
In practice
During a literary festival, one could quote this to highlight the importance of poetry in understanding human experiences.
I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix angelheaded hipsters burning for the ancient heavenly connection to the starry dynamo in the machinery of the night.
Marijuana is a useful catalyst for specific optical and aural aesthetic perceptions. I apprehended the structure of certain pieces of jazz and classical music in a new manner under the influence of marijuana, and these apprehensions have remained valid in years of normal consciousness.
Many seek and never see, anyone can tell them why. O they weep and O they cry and never take until they try unless they try it in their sleep and never some until they die. I ask many, they ask me. This is a great mystery.
What if someone gave a war and Nobody came?
Fortunately art is a community effort - a small but select community living in a spiritualized world endeavoring to interpret the wars and the solitudes of the flesh.
Sometime I’ll lay down my wrath, As I lay my body down Between the ache of breath and breath, Golden slumber in the bone.
I grew up watching period dramas, as we all did in the 1980s and '90s - endless adaptations of Jane Austen and Charles Dickens - and I loved them. But I never saw anyone like me in them, so I decided to find a story to erode the excuses for me not doing one.
It is not enough to photograph the obviously picturesque.
A friend of my mother's, Irene Lopez, was a Spanish dancer. She saw me bopping around the room and said to my mother, 'Rosita might have talent. Can I take her to my dance teacher?' There was no thought of a career at that time, but I knew I loved the attention, and that's so much a part of being a performer.
The truer the facts the better the fiction.
Architecture is a very dangerous job. If a writer makes a bad book, eh, people don't read it. But if you make bad architecture, you impose ugliness on a place for a hundred years.
The problem was to sustain at any cost the feeling you had in the theater that you were watching a real person, yes, but an intense condensation of his experience, not simply a realistic series of episodes.
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