That's the thing: There are so many art songs in jazz. It's a much more rich experience for the singer than people think.
Kurt EllingRead
It helps me to learn things in different languages, even if it's just phonetically, and to make myself vulnerable to other audiences by trying to reflect back to them the genius of their own cultures, and to do that, oftentimes, in new jazz settings, new arrangements. It's a way to show respect.
Interpretation
The quote emphasizes the importance of cultural respect and understanding through language and artistic expression.
Kurt Elling's quote highlights the value of engaging with different languages and cultures as a means of showing respect and humility. By learning to communicate, even if imperfectly, with diverse audiences, he reflects their cultural genius through innovative jazz arrangements, showcasing the interconnectedness of art and cultural appreciation.
In practice
During a speech at a multicultural event, you can use this quote to illustrate the significance of embracing different cultures.
That's the thing: There are so many art songs in jazz. It's a much more rich experience for the singer than people think.
I try to stick with things that I can sing with honesty.
One doesn't have to scat to be a jazz singer.
I'm one of the culprits who keeps turning stuff around, shaking up original tunes and trying to stand the canon on its ear. But sometimes, you just need to sing the song.
I was wearing black clothes almost from the beginning. I feel comfortable in black. I felt like black looked good onstage, that it was attractive, so I started wearing it all the time.
We all need poetry. The moments in our lives that are characterized by language that has to do with necessity or the market, or just, you know, things that take us away from the big questions that we have, those are the things that I think urge us to think about what a poem can offer.
To give emphasis only to beauty makes me think of a mathematics that deals with positive numbers only.
Revision has its own peculiar pleasures and its own peculiar frustrations. The ground rules are already established; the characters already exist. You don't have to bring the characters to life, but you do have to make them more convincing.
Without music to decorate it, time is just a bunch of boring production deadlines or dates by which bills must be paid.
The magician to some degree is trying to drive him or herself mad in a controlled setting, within controlled laws.
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