Your demons will cause your angels to sing. Use the pain as fuel.
August WilsonRead
I know some things when I start. I know, let's say, that the play is going to be a 1970s or a 1930s play, and it's going to be about a piano, but that's it. I slowly discover who the characters are as I go along.
Interpretation
This quote highlights the process of discovery in creative work.
August Wilson emphasizes the organic nature of the creative process, where initial ideas serve merely as a starting point. As a playwright, he reveals that characters and themes evolve as the work progresses, suggesting that creativity is often about exploration and discovery rather than adhering strictly to predetermined plans.
In practice
During a theater workshop, one could use the quote to encourage actors to explore their characters more deeply.
Your demons will cause your angels to sing. Use the pain as fuel.
I think the blues is the best literature that we as blacks have created since we've been here. I call it our 'sacred book.' What I've attempted to do is to mine that field, to mine those cultural ideas and attitudes and give them to my characters.
All you need in the world is love and laughter. That's all anybody needs. To have love in one hand and laughter in the other.
I do - very specifically, I remember Bessie Smith; I used to collect 78 records that I would buy from the St Vincent de Paul store at five cents apiece, and I did this indiscriminately. I would just take whatever was there. And I listened to Patti Page and Walter Huston, 'September Song.'
When I first started writing plays I couldn't write good dialogue because I didn't respect how black people talked. I thought that in order to make art out of their dialogue I had to change it, make it into something different. Once I learned to value and respect my characters, I could really hear them. I let them start talking.
My influences have been what I call my four Bs - the primary one being the blues, then Borges, Baraka, and Bearden.
I have never believed that the critic is the rival of the poet, but I do believe that criticism is a genre of literature or it does not exist.
I always say that a poet loves the world, and the prose writer needs to create an alternative world.
Each bird must sing with his own throat.
One of the attractions of translating 'Heroes' is that it's not the kind of play that I write. If it had been, I probably wouldn't have wanted to translate it. There are no one-liners. It's much more a truthful comedy than a play of dazzling wit.
The sole art that suits me is that which, rising from unrest, tends toward serenity.
Any time is the time to make a poem.
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