I've had experiences where people say, 'I hated jazz before I heard you guys!' I'm like, 'You didn't hate jazz before you heard us; you hated the idea of jazz.'
Kamasi WashingtonRead
My third day playing saxophone, I was in front of a congregation. I still didn't know the names of all the notes. I was playing by ear, following along, but it was such an encouraging environment, I couldn't fail. It was all, 'Yeah baby, you sound real good' no matter what you play. It was a great way to learn.
Interpretation
Learning music can thrive in supportive environments where encouragement outweighs perfection.
This quote by Kamasi Washington highlights the importance of a nurturing and encouraging environment in the learning process, particularly in music. He emphasizes that even as a novice, the positive reinforcement from an accepting congregation allowed him to embrace the experience of playing, fostering growth and confidence despite his lack of technical knowledge about the notes.
In practice
This quote could be used in a speech about the importance of supportive learning environments in schools.
I've had experiences where people say, 'I hated jazz before I heard you guys!' I'm like, 'You didn't hate jazz before you heard us; you hated the idea of jazz.'
We've now got a whole generation of jazz musicians who have been brought up with hip-hop. We've grown up alongside rappers and DJs; we've heard this music all our life. We are as fluent in J Dilla and Dr Dre as we are in Mingus and Coltrane.
I kept thinking about how ironic it is how people who live in places where there is diversity tend to love it - and the people that don't live in particularly diverse places tend to be the ones attacking it. In a way, that's similar to music, which is essentially the art of bringing things together.
My hope is that witnessing the beautiful harmony created by merging different musical melodies will help people realize the beauty in our own differences.
In general, in my life, one of the coolest things that I've been able to do is to go to different places and meet different people and see how they view the world and to learn what their music is and what their language is, and the food they eat and everything. That idea of the beauty of the vastness of the world has just been my life.
Walter Beasley is an anomaly: a successful performing musician who possesses the rare skill of understanding the musical process beyond the intuitive. This special ability enables Walter to communicate with aspiring musicians in a way that removes the sense of mystery that sometimes enshrouds our profession.
The difference between blues, jazz, rock n' roll and rap is that rap stayed poor. Even the white rappers are poor. It's scarier to look at poor people; it makes everyone uncomfortable. Their pain is something that people would like to see swept under the rug.
Soundgarden signing to a major, then Mother Love Bone, and seeing the same happen to Alice in Chains. We were all suddenly making music and recording at the same time, and we had money to do it. It wasn't like a $2,000 recording that you do over a weekend. It's like, 'Wow, maybe this will be our job.'
If we were all determined to play the first violin we should never have an ensemble. therefore, respect every musician in his proper place.
I don't know if it's changing already with 'Joanne,' but my intention is to bring people together that don't know each other and that would maybe feel awkward, but somehow be brought together by the music. That's what I wanted to do. Because that is pure and authentic to my family history and what I stand for.
Funk never dies. It is eternal. It just smells a little different from time to time.
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