The heaventree of stars hung with humid nightblue fruit.
James JoyceRead
Though people may read more into Ulysses than I ever intended, who is to say that they are wrong: do any of us know what we are creating?Which of us can control our scribblings? They are the script of one's personality like your voice or your walk
Interpretation
Art and literature can be interpreted in many ways, often beyond the creator's original intent.
James Joyce suggests that the interpretation of literary works, such as 'Ulysses', can vary greatly among readers, and acknowledges the inherent unpredictability of the artistic process. He implies that the essence of creation is deeply intertwined with the artist's personality, much like how one's voice or walk reflects their individuality, and questions whether anyone can truly control or fully understand their creative outputs.
In practice
During a panel discussion on literature, one might quote Joyce to emphasize the subjective nature of art.
The heaventree of stars hung with humid nightblue fruit.
I think a child should be allowed to take his father's or mother's name at will on coming of age. Paternity is a legal fiction.
If he had smiled why would he have smiled? To reflect that each one who enters imagines himself to be the first to enter whereas he is always the last term of a preceding series even if the first term of a succeeding one, each imagining himself to be first, last, only and alone whereas he is neither first nor last nor only nor alone in a series originating in and repeated to infinity.
Gentle lady, do not sing Sad songs about the end of love; Lay aside sadness and sing How love that passes is enough. Sing about the long deep sleep Of lovers that are dead, and how In the grave all love shall sleep: Love is aweary now.
I am tomorrow, or some future day, what I establish today. I am today what I established yesterday or some previous day.
The movements which work revolutions in the world are born out of the dreams and visions in a peasant's heart on the hillside.
I perhaps owe having become a painter to flowers.
Most people wait for the muse to turn up. That's terribly unreliable. I have to sit down and pursue the muse by attempting to work.
In Hollywood, they think they know it all. You, as a writer, are essentially an outsider. Novelists and short-story writers, especially.
I have had the good fortune of being able to sing with many of the finest voices in the world, and for someone who loves voices as I do, this is an enormous privilege.
I find in my own writing that only fiction - and rarely, a poem - fully tests me to the kind of limits of what I know and what I feel.
I don't believe a person has a style. What people have is a way of photographing what is inside them. What is there comes out.
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