The head of the photographer is more important than his camera
Philippe HalsmanRead
Of the thousands of people, celebrated and unknown, who have sat before my camera, I am often asked who was the most difficult subject, or the easiest, or which picture is my favorite. This last question is like asking a mother which child she likes the most
Interpretation
This quote reflects the deep emotional connection and subjectivity in a photographer's work, similar to a mother's bond with her children.
Philippe Halsman compares the difficulty of choosing a favorite photograph to a mother choosing her favorite child, highlighting the unique and intimate relationships he forms with each subject. Each individual, whether celebrated or unknown, contributes to the photographer's body of work in a distinct way, making it impossible to single out one as the best or most significant.
In practice
A photographer might use this quote in an interview to illustrate their emotional connection with subjects.
The head of the photographer is more important than his camera
When you ask a person to jump, his attention is mostly directed toward the act of jumping and the mask falls so that the real person appears.
The word "photography" can be interpreted as "writing with light" or "drawing with light." Some photographers are producing beautiful photographs by drawing with light.. Some other photographers are trying to tell something with their photographs. They are writing with light.
I make the woman look at the camera as a symbol of all the eyes that will see the picture I am making.
I drifted into photography like one drifts into prostitution. First I did it to please myself, then I did it to please my friends, and eventually I did it for the money.
In a jump, the subject, in a sudden burst of energy, overcomes gravity. He cannot simultaneously control his expressions, his facial and his limb muscles. The mask falls. The real self becomes visible. One only has to snap it with the camera.
I never try to convey a message, I just want to tell a story. Why that story in particular? I have no idea, but I have learned to surrender to the muse. I become obsessed with a theme or with certain stories; they haunt me for years, and finally, I write them.
With photography, I like to create a fiction out of reality. I try and do this by taking society's natural prejudice and giving this a twist.
To wake the soul by tender strokes of art, To raise the genius, and to mend the heart; To make mankind, in conscious virtue bold, Live o'er each Seene, and be what they behold: For this the Tragic Muse first trod the stage.
Immature poets imitate; mature poets steal.
Whoever wishes to devote himself to painting should begin by cutting out his own tongue
The work of art assumes the existence of the perfect spectator, and is indifferent to the fact that no such person exists.
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