The work an unknown good man has done is like a vein of water flowing hidden underground, secretly making the ground green.
The three great elements of modern civilization, Gun powder, Printing, and the Protestant religion.
Interpretation
What this quote means
Carlyle highlights three pivotal forces that shaped modern society: gunpowder for warfare, printing for communication, and Protestantism for faith.
In this quote, Thomas Carlyle identifies gunpowder, printing, and the Protestant religion as key elements that have significantly influenced modern civilization. Gunpowder signifies the advancement of military technology and the impact of war on society; printing represents the spread of knowledge and information, facilitating education and democratizing access to literature; and the Protestant religion symbolizes a major shift in spiritual beliefs, encouraging individualism and reformation in religious practices. Together, these elements underline the interplay between technology, communication, and faith in shaping contemporary life.
Themes
In practice
Example use cases
In a lecture about the impact of technology on society, this quote can illustrate how certain inventions have changed our world.
More from Thomas Carlyle
All quotes βThirty millions, mostly fools.
There is a great discovery still to be made in literature, that of paying literary men by the quantity they do not write.
For the superior morality, of which we hear so much, we too would desire to be thankful: at the same time, it were but blindness to deny that this superior morality is properly rather an inferior criminality, produced not by greater love of Virtue, but by greater perfection of Police; and of that far subtler and stronger Police, called Public Opinion.
Enjoying things which are pleasant; that is not the evil; it is the reducing of our moral self to slavery by them that is.
Clean undeniable right, clear undeniable might: either of these once ascertained puts an end to battle. All battle is a confused experiment to ascertain one and both of these.
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It is a question of building which is at the root of the social unrest of today: architecture or revolution.
Haunted from my early youth by the transitoriness and pathos of life, I was aware that it is not enough to say "I am doing no harm," I ought to be testing myself daily, and asking myself what I am really achieving.
Laurel and Hardy. That's John and Yoko, and we stand a better chance under that guise, because all the serious people, like Martin Luther King, and Kennedy, and Gandhi, got shot.
The more important the subject and the closer it cuts to the bone of our hopes and needs, the more we are likely to err in establishing a framework for analysis.
Buddhas move freely through birth and death, appearing and disappearing at will.
The truth about childhood, as many of us have had to endure it, is inconceivable, scandalous, painful. Not uncommonly, it is monstrous. Invariably, it is repressed. To be confronted with this truth all at once and to try to integrate it into our consciousness, however ardently we may wish it, is clearly impossible.