Drawing includes three and a half quarters of the content of painting... Drawing contains everything, except the hue
Interpretation
Drawing is fundamental to the creation of paintings, encompassing nearly all aspects except color.
Jean-Auguste-Dominique Ingres emphasizes the importance of drawing in the art of painting. He suggests that a skilled drawing captures the essence of the subject, serving as a foundation for the artwork, while color merely adds an additional layer that does not detract from the fundamental skill required in drawing. This highlights the notion that the technical ability to represent forms and figures accurately is crucial in art.
In practice
This quote could be used in a lecture about art fundamentals.
Drawing is the probity of art. To draw does not mean simply to reproduce contours; drawing does not consist merely of line: drawing is also expression, the inner form, the plane, the modeling. See what remains after that.
It takes 25 years to learn to draw, one hour to learn to paint.
Make copies, young man, many copies. You can only become a good artist by copying the masters.
I enjoy wording. Words for me are tangible bodies, visible sirens, incarnate sensualities.
The body is your instrument in dance, but your art is outside that creature, the body.
Being essentially a creator, I never set out to shock, always thinking about creating my work and not about the benefits it could produce.
Increasingly, the work I'm doing is in service to an idea rather than just to see what something looks like photographed. I'm trying to explore how I feel about something through photography.
I've been alienating my public since I was 20 years old. When 'American Buffalo' came out on Broadway, people would storm out and say, 'How dare he use that kind of language!' Of course I'm alienating the public! That's what they pay me for.
More than anything else, though, to anyone who would write about it, golf offers a four-hour drama in two acts, which becomes memorable even in the tape-recorded reminiscenses of old champs, and which - in the hands of someone like Herb Wind - can become a piece of war correspondence as artfully controlled as Alan Morehead's account of Gallipoli.
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