We ought not to extract pernicious honey from poison blossoms of misrepresentation and mendacious half-truth, to pamper the course appetite of bigotry and self-love.
Samuel Taylor ColeridgeRead
And they three passed over the white sands, between the rocks, silent as the shadows.
Interpretation
The quote evokes a sense of tranquility and mystery in nature.
In this quote by Samuel Taylor Coleridge, the imagery of three figures moving silently over white sands portrays a serene yet enigmatic moment in nature. The contrast of the bright sands with the shadows created by the rocks enhances the feeling of quiet contemplation and the beauty found in stillness.
In practice
During a poetry reading, to emphasize the beauty of nature.
We ought not to extract pernicious honey from poison blossoms of misrepresentation and mendacious half-truth, to pamper the course appetite of bigotry and self-love.
Common sense in an uncommon degree is what the world calls wisdom.
And all who heard should see them there, And all should cry, Beware! Beware! His flashing eyes, his floating hair! Weave a circle round him thrice, And close your eyes with holy dread, For he on honey-dew hath fed, And drunk the milk of Paradise.
Often do the spirits stride on before the event; and in today already walks tomorrow.
Mr. Lyell's system of geology is just half the truth, and no more. He affirms a great deal that is true, and he denies a great deal which is equally true; which is the general characteristic of all systems not embracing the whole truth.
To believe and to understand are not diverse things, but the same things in different periods of growth.
Novel writing is the slowest art form in the world. It is not a sprint. It is not even a marathon. It is a series of marathons that stretch over and over across a continent.
To be an artist, you need to exist in a world of silence.
You want a poem to unsettle something. There's a deep and interesting kind of troubling that poems do, which is to say, 'This is what you think you're certain of, and I'm going to show you how that's not enough. There's something more that might be even more rewarding if you're willing to let go of what you already know.'
I'm always interested in the spooky repurposing of everyday things.
It wasn't stone. It wasn't welded steel. It wasn't traditional sculpture. They thought it was craft, or something else, but not art. They couldn't define it in the early Fifties when I was starting out.
Rock 'n' Roll is a combination of good ideas dried up by fads, terrible junk, hideous failings in taste and judgment, gullibility and manipulation, moments of unbelievable clarity and invention, pleasure, fun, vulgarity, excess, novelty and utter enervation.
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