We ought not to extract pernicious honey from poison blossoms of misrepresentation and mendacious half-truth, to pamper the course appetite of bigotry and self-love.
Samuel Taylor ColeridgeRead
And they three passed over the white sands, between the rocks, silent as the shadows.
Interpretation
The quote evokes a sense of tranquility and mystery in nature.
In this quote by Samuel Taylor Coleridge, the imagery of three figures moving silently over white sands portrays a serene yet enigmatic moment in nature. The contrast of the bright sands with the shadows created by the rocks enhances the feeling of quiet contemplation and the beauty found in stillness.
In practice
During a poetry reading, to emphasize the beauty of nature.
We ought not to extract pernicious honey from poison blossoms of misrepresentation and mendacious half-truth, to pamper the course appetite of bigotry and self-love.
Common sense in an uncommon degree is what the world calls wisdom.
And all who heard should see them there, And all should cry, Beware! Beware! His flashing eyes, his floating hair! Weave a circle round him thrice, And close your eyes with holy dread, For he on honey-dew hath fed, And drunk the milk of Paradise.
Often do the spirits stride on before the event; and in today already walks tomorrow.
Mr. Lyell's system of geology is just half the truth, and no more. He affirms a great deal that is true, and he denies a great deal which is equally true; which is the general characteristic of all systems not embracing the whole truth.
To believe and to understand are not diverse things, but the same things in different periods of growth.
But even her demons she invested with inordinate beauty, consecrated them with the dignity of her attention.
People err who think my art comes easily to me. I assure you, dear friend, nobody has devoted so much time and thought to compositions as I. There is not a famous master whose music I have not industriously studied through many times.
I've always felt toward the slightest scene, even if all I had to do in a scene was just to come in and say, 'Hi,' that the people ought to get their money's worth and that this is an obligation of mine, to give them the best you can get from me.
All the dancer's gestures are signs of things, and the dance called rational, because it aptly signifies and displays something over and above the pleasure of the senses.
If you're actually allowing your creative part to control your writing rather than a more commercial instinct or motive, then you'll find that all sorts of interesting things will bubble up to the surface.
The great problem was the selection of the readymade. I needed to choose an object without it impressing me: that is to say, without it providing any sort of aesthetic delectation. Moreover, I needed to reduce my own personal taste to absolute zero.
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