Today on the way home, it snows. Big, soft caressing flakes fall onto our skin like cold moths; the air fills with feathers.
Interpretation
This quote captures the beauty and sensory experience of snowfall, evoking feelings of softness and tranquility.
Margaret Atwood's quote beautifully illustrates the enchanting experience of snowfall. The imagery she employs, comparing snowflakes to 'cold moths' and describing the air as being filled with 'feathers', evokes a sense of wonder and intimacy with nature. The use of tactile and visual details allows the reader to feel the gentle coldness and softness of the snow, creating a moment of appreciation for the quiet beauty of the natural world.
In practice
During a winter gathering, you might share this quote to showcase the beauty of the season.
If I am good enough and quiet enough, perhaps after all they will let me go; but it’s not easy being quiet and good, it’s like hanging on to the edge of a bridge when you’ve already fallen over; you don’t seem to be moving, just dangling there, and yet it is taking all your strength.
I would like to believe this is a story I’m telling. I need to believe it. I must believe it. Those who can believe that such stories are only stories have a better chance. If it’s a story I’m telling, then I have control over the ending. Then there will be an ending, to the story, and real life will come after it. I can pick up where I left off.
What else can I do? Once you've gone this far you aren't fit for anything else. Something happens to your mind. You're overqualified, overspecialized, and everybody knows it. Nobody in any other game would be crazy enough to hire me. I wouldn't even make a good ditch-digger, I'd start tearing apart the sewer-system, trying to pick-axe and unearth all those chthonic symbols - pipes, valves, cloacal conduits... No, no. I'll have to be a slave in the paper-mines for all time.
We love each other, that’s true whatever it means, but we aren’t good at it; for some it’s a talent, for others only an addiction.
I've learned quite a lot, over the years, by avoiding what I was supposed to be learning.
Knowing too much about other people puts you in their power, they have a claim on you, you are forced to understand their reasons for doing things and then you are weakened.
There is a way of beholding nature which is a form of prayer, a way of minding something with such clarity and aliveness that the rest of the world recedes. It . . . gives the brain a small vacation.
There are flood and drought over the eyes and in the mouth, dead water and dead sand contending for the upper hand. The parched eviscerate soil gapes at the vanity of toil, laughs without mirth. This is the death of the earth.
In a pine tree behind me, an eagle waits out the rain, hunched into himself, brooding. Crows squabble, a murder chasing a raven. Seals cruise the lines of fishing nets bobbing in the water, hoping for an easy meal, the tender bellies of salmon.
I go to the wild mountains where I am responsible for myself. Step by step I am making sure that I don't die.
To the great tree-loving fraternity we belong. We love trees with universal and unfeigned love, and all things that do grow under them or around them - the whole leaf and root tribe. Not alone when they are in their glory, but in whatever state they are - in leaf, or rimed with frost, or powdered with snow, or crystal-sheathed in ice, or in severe outline stripped and bare against a November sky - we love them.
If a healthy soil is full of death, it is also full of life: worms, fungi, microorganisms of all kinds ... Given only the health of the soil, nothing that dies is dead for very long.
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