Increasingly, the work I'm doing is in service to an idea rather than just to see what something looks like photographed. I'm trying to explore how I feel about something through photography.
Sally MannRead
It's a touchy subject, but as a Southerner, you can't ignore our history any more than a Renaissance painter can ignore the Virgin Mary. And it's impossible to drive down a road or eat a vegetable or pass a church without being reminded of slavery.
Interpretation
The quote emphasizes the inescapable connection between Southern identity and the history of slavery in the United States.
Sally Mann's quote highlights the profound historical influences on Southern culture, suggesting that just as a Renaissance artist must acknowledge significant themes like the Virgin Mary in their work, Southerners cannot detach themselves from the historical legacy of slavery. This intersection of history and daily life is inescapable, as it permeates the landscape, culture, and social interactions within the South.
In practice
Discussing the impact of Southern history in a lecture on American culture.
Increasingly, the work I'm doing is in service to an idea rather than just to see what something looks like photographed. I'm trying to explore how I feel about something through photography.
Sometimes, when I get a good picture, it feels like I have taken another nervous step into increasingly rarified air. Each good-news picture, no matter how hard-earned, allows me only a crumbling foothold on this steepening climb—an ascent whose milestones are fear and doubt.
I can think of numberless males, from Bonnard to Callahan, who have photographed their lovers and spouses, but I am having trouble finding parallel examples among my sister photographers. The act of looking appraisingly at a man, making eye contact on the street, asking to photograph him, studying his body, has always been a brazen venture for a woman, though, for a man, these acts are commonplace, even expected.
The earth doesn’t care where death occurs. ...It’s the artist, by coming in and writing about it or painting it or taking a photograph of it, that makes the earth powerful and creates death’s memory. Because the land will not remember by itself, but the artist will.
Thousand got away to other countries; thousands returned to Spain tempted by false promises of kindness. By the tens of thousands, these Spaniards died of neglect in the concentration camps.
The men who founded and governed Massachusetts and Connecticut took themselves so seriously that they kept track of everything they did for the benefit of posterity and hoarded their papers so carefully that the whole history of the United States, recounted mainly by their descendants, has often appeared to be the history of New England writ large.
Once I thought to write a history of the immigrants in America. Then I discovered that the immigrants were American history.
The tide of history only advances when people make themselves fully visible.
Also, what mountains of dead ashes, wreck and burnt bones, does assiduous pedantry dig up from the past time and name it History.
The very notion of Great Britain's 'greatness' is bound up with empire. Euro-scepticism and Little Englander nationalism could hardly survive if people understood whose sugar flowed through English blood and rotted English teeth.
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