I take six or seven years to write really small books. There is a kind of aesthetic of leanness, of brevity.
I push against the tree and run away, stumbling, the unreal night playing with me, gravity pulling from below, behind, above, making me fall. And I run through a world that is rotating, conscious of the earth's spin, of our planet twirling as it careens through nothingness, of the stars spiraling above, of the uncertainty of everything, even ground, even sky. Mumtaz never calls out, although a thousand and one voices scream in my mind, sing, whisper, taunt me with madness.
Interpretation
What this quote means
This quote explores the chaotic nature of existence and the internal struggle of the self amidst it.
In this thought-provoking quote by Mohsin Hamid, the speaker reflects on the disorienting experience of navigating a world filled with uncertainty and chaos. The imagery of a rotating planet and the pull of gravity symbolizes the physical and existential forces that shape our reality, while the voices in the speaker's mind represent the internal conflict and madness we sometimes face. It prompts us to ponder our place in a universe that is both beautiful and unpredictable, highlighting the struggle for clarity and identity amidst tumultuous surroundings.
Themes
In practice
Example use cases
In a speech about overcoming adversity, one might quote this to emphasize the internal battles we face.
More from Mohsin Hamid
All quotes →When the forces are aligning against hybridity, it harms everyone, as we are all migrants. Growing up in Pakistan, I know just how oppressive that kind of puritanical mindset can be.
Some of my relatives held on to imagined memories the way homeless people hold onto lottery tickets. Nostalgia was their crack cocaine, if you will, and my childhood was littered with the consequences of their addiction : unserviceable debts, squabbles over inheritances, the odd alcoholic or suicide.
Stories helped me unite parts of my existence that might otherwise have seemed irrevocably split by geography and time. And stories helped me find a future in which I, such a mongrel, could be comfortable.
I think there's a growing courage among the younger generation of American writers. Because of the more superficial treatment of characters taking place in cinema, they have had to deal with that by digging deeper into who these people are.
Part of the reason people abroad resent the United States is something Americans can do very little about: envy. The richest, most powerful country in the world attracts the jealousy of others in much the same way that the richest, most powerful man in a small town attracts the jealousy of others.
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Vegetarianism serves as the criterion by which we know that the pursuit of moral perfection on the part of humanity is genuine and sincere.
Stories hold power because they convey the illusion that life has purpose and direction. Where God is absent from the lives of all but the most blessed, the writer, of all people, replaces that ordering principle. Stories make sense when so much around us is senseless, and perhaps what makes them most comforting is that, while life goes on and pain goes on, stories do us the favor of ending.
Language comes first. It's not that language grows out of consciousness, if you haven't got language, you can't be conscious.
Modern man likes to pretend that his thinking is wide-awake. But this wide-awake thinking has led us into the mazes of a nightmare in which the torture chambers are endlessly repeated in the mirrors of reason.
The soil out of which such men as he are made is good to be born on, good to live on, good to die for and to be buried in.
We think that the world is limited and explained by its past. We tend to think that what happened in the past determines what is going to happen next, and we do not see that it is exactly the other way around! What is always the source of the world is the present; the past doesn't explain a thing. The past trails behind the present like the wake of a ship and eventually disappears.