I learned that there were two ways I could live my life: following my dreams or doing something else. Dreams aren't a matter of chance, but a matter of choice. When I dream, I believe I am rehearsing my future.
David CopperfieldRead
It wasn't just about doing tricks. It's about taking an audience to another place, a special place, so they can really suspend their disbelief. Its about amazing the audience as well as moving them.
Interpretation
The essence of performance is to transport the audience to a different reality, captivating and emotionally engaging them.
David Copperfield emphasizes that magic and performance art go beyond mere tricks; they serve as a bridge to a captivating experience that allows the audience to immerse themselves in a fantasy. The goal of a performer is not only to dazzle the audience with stunning illusions but also to evoke emotions and create a memorable experience that lingers in their minds.
In practice
Use this quote during a speech on the importance of impactful performances in theatre.
I learned that there were two ways I could live my life: following my dreams or doing something else. Dreams aren't a matter of chance, but a matter of choice. When I dream, I believe I am rehearsing my future.
It is the unspoken ethic of all magicians to not reveal the secrets.
What I've tried to do in my stage magic is to take a trick and give it an emotional hook.
I try to help people realize their dreams by using magic to tell stories that educate, move, and inspire.
The real secret of magic lies in the performance.
The deal is such that when I begin writing something, I open a door, and those characters come in, and then they won't leave, and so I live with them every day, all day. They are there with me when I'm driving my kids to school, when I'm standing in line at the grocery store.
Architecture, like dance, is also a language - one that everybody understands.
I cannot listen to Beethoven or Mahler or Chopin or Bach when I write because those composers require you stop what you are doing and listen.
There is certainly no absolute standard of beauty. That precisely is what makes its pursuit so interesting.
We usually evaluate creative process in terms of how much feeling or thinking was behind the work or how well the work was done. Isn't there any other way of appreciating the process? What if the standard of excellence was how fully present the artist was during the process?
To him the stars seemed like so many musical notes affixed to the sky, just waiting for somebody to unfasten them. Someday the sky would be emptied, but by then the earth would be a constellation of musical scores
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