You can't measure time by days, the way you measure money by dollars and cents, because dollars are all the same while every day is different and maybe every hour as well.
Jorge Luis BorgesRead
Truly fine poetry must be read aloud. A good poem does not allow itself to be read in a low voice or silently. If we can read it silently, it is not a valid poem: a poem demands pronunciation. Poetry always remembers that it was an oral art before it was a written art. It remembers that it was first song.
Interpretation
Poetry requires vocal expression to truly convey its essence and impact.
This quote by Jorge Luis Borges emphasizes the oral tradition of poetry, asserting that the true beauty and validity of a poem emerges when it is read aloud. Borges suggests that poetry was originally meant to be sung and performed, which highlights its emotional and rhythmic qualities that can easily be lost in silent reading.
In practice
In a poetry reading event, one could introduce this quote to emphasize the importance of vocal delivery.
You can't measure time by days, the way you measure money by dollars and cents, because dollars are all the same while every day is different and maybe every hour as well.
To say good-bye is to deny separation; it is to say Today we play at going our own ways, but we'll see each other tomorrow. Men invented farewells because they somehow knew themselves to be immortal, even while seeing themselves as contingent and ephemeral.
The execution was set for the 29th of March, at nine in the morning. This delay was due to a desire on the part of the authorities to act slowly and impersonally, in the manner of planets or vegetables.
This felicitous supposition declared that there is only one Individual, and that this indivisible Individual is every one of the separate beings in the universe, and that these beings are the instruments and masks of divinity itself.
A man sets out to draw the world. As the years go by, he peoples a space with images of provinces, kingdoms, mountains, bays, ships, islands, fishes, rooms, instruments, stars, horses, and individuals. A short time before he dies, he discovers that the patient labyrinth of lines traces the lineaments of his own face.
Let neither tear nor reproach besmirch this declaration of the mastery of God who, with magnificent irony, granted me both the gift of books and the night.
The fantasy that appeals most to people is the kind that's rooted thoroughly in somebody looking around a corner and thinking, 'What if I wandered into this writer's people here?' If you've done your job and made your people and your settings well enough, that adds an extra dimension that you can't buy.
The theater has to impose itself on the public, and not the public on the theater... The word "Art" should be written everywhere, in the auditorium and in the dressing rooms, before the word "Business" gets written there.
When I write plays, I'm already seeing the shapes on stage, of the actors and their interaction, and so on and so forth. I don't think I've ever written one play as an abstract piece, as a literary piece, floating in the air somewhere, to be flushed out later on.
I do not rewrite unless I am absolutely sure that I can express the material better if I do rewrite it.
Whatever colors you have in your mind, I'll show them to you and you'll see them shine.
I don't want people at my shows to come out and say, 'I just saw a cool show.' I want them to say, 'I had fun at the show.' I want it to be a collaborative thing and be part of the audience and have them be part of me. I try to interact with everyone there and have them be equal to me because they are.
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