Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
Oscar WildeRead
Before Turner there was no fog in London.
Interpretation
Oscar Wilde suggests that the artistic influence of Turner brought a unique beauty to London's atmospheric fog.
This quote reflects on how the painter J.M.W. Turner transformed the perception of London's fog through his art. Wilde implies that Turner's ability to capture the delicate interplay of light and atmosphere elevated the mundane and gave it a new significance, highlighting how art can influence our appreciation of the world around us.
In practice
During a gallery talk about the impact of Turnerβs work on British art.
Everything is dangerous, my dear fellow. If it wasn't so, life wouldn't be worth living.
London is too full of fogs and serious people. Whether the fogs produce the serious people, or whether the serious people produce the fogs, I don't know.
When one has never heard a man's name in the course of one's life, it speaks volumes for him; he must be quite respectable.
Men always want to be a woman's first love - women like to be a man's last romance.
A truth ceases to be true when more than one person believes in it.
His morality is all sympathy, just what morality should be
I'll keep on acting 'til they wipe the drool. I like the business. I like to do different parts and diverse characters. I haven't lost my enthusiasm yet!
We used the Western style to express our own themes and stories. But don't forget that our heritage includes The Thousand and One Nights.
Create your own visual style... let it be unique for yourself and yet identifiable for others.
What the poet is searching for_x000D_ is not the fundamental I_x000D_ but the deep you.
Digital photography is, by definition, unfinished. You don't feel that after every 24 or 36 shots you have to change your film - you know you can go on for ever if you want. You can see the result immediately, and find out if your original idea is worth going on with or not, whether it can be corrected, whether it can be improved.
From 1968 on, I was pretty much the black, gay SF writer.
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