Fundamentally, I think of myself as a storyteller, not a writer.
Tom ClancyRead
Two questions form the foundation of all novels: "What if?" and "What next?" (A third question, "What now?", is one the author asks himself every 10 minutes or so; but it's more a cry than a question.) Every novel begins with the speculative question, What if "X" happened? That's how you start.
Interpretation
Novels begin by exploring hypothetical scenarios and their consequences.
Tom Clancy emphasizes that the essence of storytelling in novels lies in posing speculative questions like 'What if?' and 'What next?'. This foundational approach encourages writers to think creatively and explore the potential outcomes of their stories, highlighting the iterative process of building a narrative that evolves from these initial inquiries.
In practice
An author could use this quote during a writing workshop to inspire creativity.
Fundamentally, I think of myself as a storyteller, not a writer.
Of all human lamentations, without doubt, the most common is if only I had known. But we can't know, and so days of death and fire so often begin no differently than those of love and warmth.
The only real difference between a wise man and a fool, Moore knew, was that the wise man tended to make more serious mistakes—and only because no one trusted a fool with really crucial decisions; only the wise had the opportunity to lose battles, or nations.
One thing about flying that he never got used to was that no matter how awful the weather was on the ground, if you flew high enough you could always find the sun.
Nothing is as real as a dream. The world can change around you, but your dream will not. Your life may change, but your dream doesn't have to. Responsibilities need not erase it. Duties need not obscure it.
I do not over-intellectualize the production process. I try to keep it simple: Tell the damned story.
Your business as a writer is not to illustrate virtue but to show how a fellow may move toward it or away from it.
When a novel has 200,000 words, then it is possible for the reader to experience 200,000 delights, and to turn back to the first page of the book and experience them all over again, perhaps more intensely.
When a reader falls in love with a book, it leaves its essence inside him, like radioactive fallout in an arable field, and after that there are certain crops that will no longer grow in him, while other, stranger, more fantastic growths may occasionally be produced.
There was, in my view, an unwritten contract with the reader that the writer must honour. No single element of an imagined world or any of its characters should be allowed to dissolve on an authorial whim. The invented had to be as solid and as self-consistent as the actual. This was a contract founded on mutual trust.
I am still bowled over by this great young adult novel by David Levithan called 'Every Day,' which is about a character with no gender or body who wakes up every day in the body of a different person. It's a really impressive execution of a really great premise.
A novel is a machine for generating interpretations.
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