Fundamentally, I think of myself as a storyteller, not a writer.
Tom ClancyRead
Two questions form the foundation of all novels: "What if?" and "What next?" (A third question, "What now?", is one the author asks himself every 10 minutes or so; but it's more a cry than a question.) Every novel begins with the speculative question, What if "X" happened? That's how you start.
Interpretation
Novels begin by exploring hypothetical scenarios and their consequences.
Tom Clancy emphasizes that the essence of storytelling in novels lies in posing speculative questions like 'What if?' and 'What next?'. This foundational approach encourages writers to think creatively and explore the potential outcomes of their stories, highlighting the iterative process of building a narrative that evolves from these initial inquiries.
In practice
An author could use this quote during a writing workshop to inspire creativity.
Fundamentally, I think of myself as a storyteller, not a writer.
Of all human lamentations, without doubt, the most common is if only I had known. But we can't know, and so days of death and fire so often begin no differently than those of love and warmth.
The only real difference between a wise man and a fool, Moore knew, was that the wise man tended to make more serious mistakes—and only because no one trusted a fool with really crucial decisions; only the wise had the opportunity to lose battles, or nations.
One thing about flying that he never got used to was that no matter how awful the weather was on the ground, if you flew high enough you could always find the sun.
Nothing is as real as a dream. The world can change around you, but your dream will not. Your life may change, but your dream doesn't have to. Responsibilities need not erase it. Duties need not obscure it.
I do not over-intellectualize the production process. I try to keep it simple: Tell the damned story.
Not every novel that wants to be a tragedy gets to be one.
There is something called the rapture of the deep, and it refers to what happens when a deep-sea diver spends too much time at the bottom of the ocean and can't tell which way is up. When he surfaces, he's liable to have a condition called the bends, where the body can't adapt to the oxygen levels in the atmosphere. All of this happens to me when I surface from a great book.
Great books write themselves, only bad books have to be written.
Among contemporaries, I hugely admire Alice Munro, our Chekhov, Saul Bellow, Philip Roth, and John Updike, American masters all. I also believe that the voice of Gordon Lish is astoundingly original and sorrowful.
I can tell you that as a writer and as a reader, I regard character as king. Or queen. No matter how riveting the action or interesting the plot twists, if I don't feel like I'm meeting someone who feels real, I'm not going to be compelled to read further.
As a reader I loathe introductions...Introductions inhibit pleasure, they kill the joy of anticipation, they frustrate curiosity.
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