Fundamentally, I think of myself as a storyteller, not a writer.
Tom ClancyRead
Two questions form the foundation of all novels: "What if?" and "What next?" (A third question, "What now?", is one the author asks himself every 10 minutes or so; but it's more a cry than a question.) Every novel begins with the speculative question, What if "X" happened? That's how you start.
Interpretation
Novels begin by exploring hypothetical scenarios and their consequences.
Tom Clancy emphasizes that the essence of storytelling in novels lies in posing speculative questions like 'What if?' and 'What next?'. This foundational approach encourages writers to think creatively and explore the potential outcomes of their stories, highlighting the iterative process of building a narrative that evolves from these initial inquiries.
In practice
An author could use this quote during a writing workshop to inspire creativity.
Fundamentally, I think of myself as a storyteller, not a writer.
Of all human lamentations, without doubt, the most common is if only I had known. But we can't know, and so days of death and fire so often begin no differently than those of love and warmth.
The only real difference between a wise man and a fool, Moore knew, was that the wise man tended to make more serious mistakes—and only because no one trusted a fool with really crucial decisions; only the wise had the opportunity to lose battles, or nations.
One thing about flying that he never got used to was that no matter how awful the weather was on the ground, if you flew high enough you could always find the sun.
Nothing is as real as a dream. The world can change around you, but your dream will not. Your life may change, but your dream doesn't have to. Responsibilities need not erase it. Duties need not obscure it.
I do not over-intellectualize the production process. I try to keep it simple: Tell the damned story.
Every great literature has always been allegorical - allegorical of some view of the whole universe. The 'Iliad' is only great because all life is a battle, the 'Odyssey' because all life is a journey, the Book of Job because all life is a riddle.
Without a knowledge of mythology much of the elegant literature of our own language cannot be understood and appreciated.
All told, she owned fourteen books, but she saw her story as being made up predominantly of ten of them. Of those ten, six were stolen, one showed up at the kitchen table, two were made for her by a hidden Jew, and one was delivered by a soft, yellow-dressed afternoon.
The most influential books, and the truest in their influence, are works of fiction. They repeat, they re-arrange, they clarify the lessons of life; they disengage us from ourselves, they constrain us to the acquaintance of others; and they show us the web of experience, but with a singular change-that monstrous, consuming ego of ours being, nonce, struck out.
They were close to the end of the beginning . . .
For most of human history, 'literature,' both fiction and poetry, has been narrated, not written — heard, not read. So fairy tales, folk tales, stories from the oral tradition, are all of them the most vital connection we have with the imaginations of the ordinary men and women whose labor created our world.
Subscribe for the occasional hand-picked quote. No noise.