There is no feeling, except the extremes of fear and grief, that does not find relief in music.
T. S. EliotRead
Composing on the typewriter, I find that I am sloughing off all my long sentences which I used to dote upon. Short, staccato, like modern French prose. The typewriter makes for lucidity, but I am not sure that it encourages subtlety.
Interpretation
Typewriters promote clarity in writing at the expense of nuance.
In this quote, T. S. Eliot reflects on the impact that the typewriter has had on his writing style. He acknowledges that composing on a typewriter leads him to favor shorter, more direct sentences, which enhances clarity or lucidity. However, he questions whether this shift sacrifices the subtlety and complexity that longer sentences can convey, suggesting a tension between clarity and depth in writing.
In practice
In a speech about modern writing techniques, one could quote Eliot to emphasize the importance of clarity.
There is no feeling, except the extremes of fear and grief, that does not find relief in music.
Half of the harm that is done in this world is due to people who want to feel important. They don't mean to do harm. But the harm does not interest them.
I am an Anglo-Catholic in religion, a classicist in literature and a royalist in politics.
If you aren't in over your head, how do you know how tall you are?
For I have known them all already, known them all— Have known the evenings, mornings, afternoons, I have measured out my life with coffee spoons.
In the faint moonlight, the grass is singing
I'm not a very good writer, but I'm an excellent rewriter.
And there was that poor sucker Flaubert rolling around on his floor for three days looking for the right word.
As to the adjective: when in doubt, strike it out.
There are some people who have been reading me for years, and they keep saying kind things about the writing. That's what you're writing for, to get people to respond to it.
I don't write for catharsis; I have to write to understand.
It's so easy, as a writer, to get stuck in your own head, to live in the little worlds you create. To forget that there are people out there reading your work, people who may be deeply affected by what you do, that you are writing not just for yourself, but for them.
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