Unlike the background in many of the paintings that I was inspired by or paintings that I borrowed poses from - the great European paintings of the past - the background in my work does not play a passive role.
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I think that artists provide questions, not answers. We provide provocations rather than fully formed objects.
I think there's something important in going against the grain, and perhaps finding value in things that aren't necessarily institutionally recognized.
When you're at your best, you're analyzing yourself and becoming increasingly isolated from a broader narrative.
The backgrounds by design are a very key part of the conversation, because I want a kind of fight or pressure to exist between the figure and the background.
There's something really cool about being able to fly to South Africa and watch one of the most talented African footballers wearing a shoe on the field.
What I love in art is that it takes known combinations and reorders them in a way that sheds light on something that they have never seen before or allows to consider the world in a slightly different way.
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