As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
William ShakespeareRead
To this urn let those repair_x000D_ _x000D_ That are either true or fair;_x000D_ _x000D_ For these dead birds sigh a prayer.
Interpretation
The quote reflects on the importance of truth and beauty in life, suggesting reverence for those attributes.
In this quote, Shakespeare invites people to pay their respects to an urn, symbolizing the memory of the deceased. He emphasizes that only those who value truth or beauty—qualities that transcend life—should approach it, as the urn contains the memory of 'dead birds,' representing lost potential or beauty, prompting a reflective prayer for their souls.
In practice
During a memorial service, one might use this quote to emphasize the importance of honoring the deceased with truth and beauty.
As honour, love, obedience, troops of friends, / I must not look to have; but, in their stead, / Curses, not loud but deep, mouth-honour, breath, / Which the poor heart would fain deny, and dare not" (5.3.25-28).
Love bears it out even to the edge of doom.
Good company, good wine, good welcome, can make good people.
Absence doth sharpen love, presence strengthens it; the one brings fuel, the other blows it till it burns clear.
Lord, Lord, how this world is given to lying!
Give it an understanding, but no tongue.
After my performance 'The Artist is Present (2010)' at MoMA in New York, many scientists became interested in why so many people who sat across from me began to cry. I was incredibly moved by this experience also, and was very curious to know what happens in our brains when we spend time not talking, just looking at one another.
But when I went on the stage to do a show, I would put on makeup because I felt that it enhanced my act; it drew attention to what I was doing.
I long so much to make beautiful things. But beautiful things require effort and disappointment and perseverance.
On the Internet, all those same guys that are complaining I made a change are completely changing the movie. I’m saying: ‘Fine. But my movie, with my name on it, that says I did it, needs to be the way I want it.’
I consciously think about the ethnicity of every character that I create and cast. But one thing that is equally important is quality representation. It's not enough to put an African-American in there, a female in there, a gay character in there: How significant is their contribution? Can they drive the story?
The great artists of the world are never Puritans, and seldom even ordinarily respectable.
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