That which is not slightly distorted lacks sensible appeal; from which it follows that irregularity β that is to say, the unexpected, surprise and astonishment, are a essential part and characteristic of beauty.
Charles BaudelaireRead
I consider it useless and tedious to represent what exists, because nothing that exists satisfies me. Nature is ugly, and I prefer the monsters of my fancy to what is positively trivial.
Interpretation
The quote expresses a dissatisfaction with reality and a preference for imaginative creations over mundane existence.
In this quote, Charles Baudelaire reflects a deep discontent with the world as it is, deeming nature and reality as unappealing. He argues that rather than capturing the ordinary or banal aspects of reality, he finds more value and beauty in the creations of his imagination, which may be fantastical and monstrous but are far more engaging and significant than the trivialities of everyday life.
In practice
In a discussion about surrealism, one might use this quote to highlight the value of imagination in art.
That which is not slightly distorted lacks sensible appeal; from which it follows that irregularity β that is to say, the unexpected, surprise and astonishment, are a essential part and characteristic of beauty.
The dance can reveal everything mysterious that is hidden in music, and it has the additional merit of being human and palpable. Dancing is poetry with arms and legs.
Who among us has not dreamt, in moments of ambition, of the miracle of a poetic prose, musical without rhythm and rhyme, supple and staccato enough to adapt to the lyrical stirrings of the soul, the undulations of dreams, and sudden leaps of consciousness.
There is no sweeter pleasure than to surprise a man by giving him more than he hopes for.
The priest is an immense being because he makes the crowd believe astonishing things.
Poetry and progress are like two ambitious men who hate one another with an instinctive hatred, and when they meet upon the same road, one of them has to give place.
Rewriting isn't just about dialogue; it's the order of the scenes, how you finish a scene, how you get into a scene.
I prefer the absurdity of writing poems to the absurdity of not writing poems.
Sculpture and painting have the effect of teaching us manners and abolishing hurry.
Give me a guitar and I'll play; give me a stage and I'll perform; give me an auditorium and I'll fill it.
I am working, but when one has ceased to do seascape, it is the devil afterward - very difficult; it changes at every instant, and here the weather varies several times in the same day.
Between parts I was too old for and roles that were too overwhelming, out of reach then for my voice. I carved out a niche with the Wagnerian repertoire since I am attracted by its theatrical intensity.
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