The outcome of any serious research can only be to make two questions grow where only one grew before.
Thorstein VeblenRead
The visible imperfections of hand-wrought goods, being honorific, are accounted marks of superiority in point of beauty, or serviceability, or both.
Interpretation
Imperfections in handmade items add character and beauty, enhancing their value.
Thorstein Veblen suggests that the flaws inherent in handmade goods distinguish them from mass-produced items, elevating their beauty and functionality. This perspective honors the craftsmanship involved, as imperfections reveal authenticity and human effort, ultimately making these items more desirable.
In practice
In an art gallery discussing the value of handmade pottery.
The outcome of any serious research can only be to make two questions grow where only one grew before.
Conspicuous consumption of valuable goods is a means of reputability to the gentleman of leisure.
In order to stand well in the eyes of the community, it is necessary to come up to a certain, somewhat indefinite, conventional standard of wealth.
With the exception of the instinct of self-preservation, the propensity for emulation is probably the strongest and most alert and persistent of the economic motives proper.
The basis on which good repute in any highly organized industrial community ultimately rests is pecuniary strength; and the means of showing pecuniary strength, and so of gaining or retaining a good name, are leisure and a conspicuous consumption of goods.
In itself and in its consequences the life of leisure is beautiful and ennobling in all civilised men's eyes.
Beauty . . . cannot be interpreted. It is not an empirically verifiable fact; it is not a quantity.
There is the music of Heaven in all things.
There is no one more deserving of a place in Poets' Corner. Ted Hughes introduced a new kind of landscape into English poetry. The most compelling aspect of his work was his intimacy with nature.
I've come to appreciate how special a song is compared to other art forms, because you can carry it around in your head and your heart, and it remains part of you. It just comes as natural as a bird to me, always did. It's the way singer-songwriters make sense of our lives.
Heartbreak can definitely give you a deeper sensibility for writing songs. I drew on a lot of heartbreak when I was writing my first album, I didn't mean to but I just did.
The wonderful thing about writing for theatre is you can go anywhere you want with the language. There are no limits. With film, they frown on language - it's always 'Too many words.'
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