I'm the one that's got to die when it's time for me to die, so let me live my life the way I want to.
Jimi HendrixRead
... with Voodoo Child somebody was filming when we started doing that. We did that about three times because they wanted to film us in the studio, to make us (imitates a pompous voice) 'make it look like you're recording boys' - one of them scenes, you know, so okey, let's play this and then we went into Voodoo Child
Interpretation
This quote reflects the authenticity and spontaneity of the creative process in music.
The quote captures a moment during a recording session for the song 'Voodoo Child' by Jimi Hendrix, highlighting the interplay between the desire for authenticity and the pressures of the recording industry. By mentioning that they were filmed as they played, it evokes the idea that true artistry often occurs in raw, unscripted moments, contrasting with the manufactured nature that the industry sometimes demands.
In practice
While giving a speech about the artistic process, one could use this quote to emphasize spontaneity in creative expressions.
I'm the one that's got to die when it's time for me to die, so let me live my life the way I want to.
Technically, I'm not a guitar player, all I play is truth and emotion.
I try all night to play a pretty note.
The story of life is quicker then the blink of an eye, the story of love is hello, goodbye.
It's time for a new National Anthem. America is divided into two definite divisions. The easy thing to cop out with is sayin' black and white. You can see a black person. But now to get down to the nitty-gritty, it's getting' to be old and young - not the age, but the way of thinking. Old and new, actually... because there's so many even older people that took half their lives to reach a certain point that little kids understand now.
Music makes me high on stage, and that's the truth. It's like being almost addicted to music.
Many people don't understand how disciplined you have to be to play jazz... And that is really the idea of democracy - freedom within the Constitution or discipline. You don't just get out there and do anything you want.
You've got to learn your instrument. Then, you practice, practice, practice. And then, when you finally get up there on the bandstand, forget all that and just wail.
I could beat my mike stand into the stage, but I was still in pain. Maybe fans liked it, but sometimes people forget you're a person and they're more into the entertainment value. It's taken a long time to turn that around and give a strong show without it being a kamikaze show.
I was never too keen on the British music press. They've called us a supermarket hype, and they used to suggest that we didn't write our own songs.
My introduction of Whitney was that if there's going to be one performer for the next generation who combined the beauty and lyric phrasing of a Lena Horne with those Gospel fiery roots of an Aretha Franklin, it would be Whitney Houston.
I can show you that I have played with just about every jazz musician, every African musician, every blues musician. It's not like I'm cashing in on a false concept. This is what I do.
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