Normal, in our house, is like a blanket too short for a bed--sometimes it covers you just fine, and other times it leaves you cold and shaking; and worst of all, you never know which of the two it's going to be.
The weapons an author has at her disposal are flawed. There are words that feel shapeless and overused. Love, for example. I could write the word love a thousand times and it would mean a thousand different things to different readers.
Interpretation
What this quote means
Words can have different meanings and interpretations based on individual experiences, particularly in the context of love.
In this quote, Jodi Picoult reflects on the limitations of language, particularly the word 'love,' which she views as both a powerful and overused term. She acknowledges that while words are the tools of an author, their meanings can vary greatly among readers, underscoring the subjective nature of human emotions and expressions. Despite her ability to write about love extensively, she recognizes that its essence is complex and multifaceted, making it challenging to convey a singular meaning.
Themes
In practice
Example use cases
During a writing workshop, I quoted Jodi Picoult to emphasize the subjective nature of love in writing.
More from Jodi Picoult
All quotes →Whether it was power they sought, or revenge, or love-well, those were all just different forms of hunger. The bigger the hole inside you, the more desperate you became to fill it.
she told me she'd be a phoenix." The image of the mythical creature rising from the ashes glitters in my mind. "They don't really exist." "She said that depends on whether or not there's someone who can see them.
for 100,000 (dollars), you [can] flatten a house with a wrecking ball. Imagine how much less it [takes] to destroy something than it [does] to build it in the first place.
But if you seek forgiveness, doesn't that automatically mean you cannot be a monster? By definition, doesn't that desperation make you human again?
when you [lose someone], it feels like the hole in your gum when a tooth falls out. You can chew, you can eat, you have plenty of other teeth, but your tongue keeps going back to that empty place, where all nerves are still a little raw
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I want paint to work as flesh.
It's so easy to call something a Jewish story or a gay story or a woman's story. Aesthetically, if a story is not universal, it has failed. Your obligation is to the story. One rule creatively, and emotionally, is its universality.
In words, like weeds, I'll wrap me o'er, Like coarsest clothes against the cold
A painting to me is primarily a verb, not a noun, an event first and only secondarily an image.
I think that you’ve got to make something that pleases you and hope that other people feel the same way.