He said that people who loved [animals] to excess were capable of the worst cruelties toward human beings. He said that dogs were not loyal but servile, that cats were opportunists and traitors, that peacocks were heralds of death, that macaws were simply decorative annoyances, that rabbits fomented greed, that monkeys carried the fever of lust, and that roosters were damned because they had been complicit in the three denials of Christ.
Over the weekend the vultures got into the presidential palace by pecking through the screens on the balcony windows and the flapping of their wings stirred up the stagnant time inside, and at dawn on Monday the city awoke out of its lethargy of centuries with the warm, soft breeze of a great man dead and rotting grandeur.
Interpretation
What this quote means
This quote reflects on the cyclical nature of power and decay, highlighting how the death of a significant figure can awaken a society from its stagnation.
Gabriel Garcia Marquez uses powerful imagery to convey the idea that the death of a great leader or influential figure brings about a profound change in society. The reference to vultures and their intrusion symbolizes the inevitable decay and the harsh realities of power, while the awakening of the city represents a fresh start, suggesting that even in the face of death, there is the potential for renewal and transformation after a long period of stagnation.
Themes
In practice
Example use cases
This quote can be used in a speech about the impact of leadership on society.
More from Gabriel Garcia Marquez
All quotes →Amputees suffer pains, cramps, itches in the leg that is no longer there. That is how she felt without him, feeling his presence where he no longer was.
She had the revelation one Sunday that while the other instruments played for everyone the violen played for her alone .
He sank into the rocking chair, the same one in which Rebecca had sat during the early days of the house to give embroidery lessons, and in which Amaranta had played Chinese checkers with Colonel Gerineldo Marquez, and in which Amarana Ursula had sewn the tiny clothing for the child, and in that flash of lucidity he became aware that he was unable to bear in his soul the crushing weight of so much past.
Nobody deserves your tears, but whoever deserves them will not make you cry.
Both described at the same time how it was always March there and always Monday, and then they understood that José Arcadio Buendía was not as crazy as the family said, but that he was the only one who had enough lucidity to sense the truth of the fact that time also stumbled and had accidents and could therefore splinter and leave an eternalized fragment in a room.
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I wish I might take this for a compliment; but to be so easily seen through I am afraid is pitiful.
After all, if there is no class stratification in a society, it follows that there is no state, because the state arose as an instrument to be used by a particular class to control the rest of society in its own interests.
To be ourselves we must have ourselves – possess, if need be re-possess, our life-stories. We must “recollect” ourselves, recollect the inner drama, the narrative, of ourselves. A man needs such a narrative, a continuous inner narrative, to maintain his identity, his self.
Imagine now a man who is deprived of everyone he loves, and at the same time of his house, his habits, his clothes, in short, of everything he possesses: he will be a hollow man, reduced to suffering and needs, forgetful of dignity and restraint, for he who loses all often loses himself.
Out of the experience of extraordinary human disaster that lasted too long, must be born a society of which all humanity will be proud.
He was never without misery, and never without hope.