I began writing when I was still in the British Foreign Service, and it was then understood that even if you wrote about butterfly collecting, you used another name.
John Le CarreRead
Well, certainly I don't think that there are very many good writers who don't live without a sense of tension. If they haven't got one immediately available to them, then they usually manage to manufacture it in their private lives.
Interpretation
Good writers often experience tension in their lives, which fuels their creativity and writing process.
In this quote, John Le Carre conveys the idea that a sense of tension is a vital element in a writer's life, serving as a source of inspiration and motivation. He suggests that if writers do not have external conflicts or challenges, they find ways to create tension in their personal lives, as this emotional and psychological turmoil enhances their storytelling abilities and depth.
In practice
During a workshop on creative writing, a speaker shares the importance of tension in storytelling using this quote.
I began writing when I was still in the British Foreign Service, and it was then understood that even if you wrote about butterfly collecting, you used another name.
In every war zone that I've been in, there has been a reality and then there has been the public perception of why the war was being fought. In every crisis, the issues have been far more complex than the public has been allowed to know.
The cat sat on the mat is not a story. The cat sat on the other cat’s mat is a story.
The monsters of our childhood do not fade away, neither are they ever wholly monstrous.
Coming home from very lonely places, all of us go a little mad: whether from great personal success, or just an all-night drive, we are the sole survivors of a world no one else has ever seen.
If I had to put a name to it, I would wish that all my books were entertainments. I think the first thing you've got to do is grab the reader by the ear, and make him sit down and listen. Make him laugh, make him feel. We all want to be entertained at a very high level.
What I always wanted to get seen as was as a good actor, when it was the acting I was doing. When I'm writing, I want to try to be seen as a good writer.
To dance is to be out of yourself. Larger, more beautiful, more powerful. This is power, it is glory on earth and it is yours for the taking.
When asked how she knows when her writing is where she wants it to be: "I know when it's the best I can do. It may not be the best there is. Another writer may do it much better. But I know when it's the best I can do. I know that one of the great arts that the writer develops is the art of saying, 'No. No, I'm finished. Bye.' And leaving it alone. I will not write it into the ground. I will not write the life out of it. I won't do that."
Beauty of whatever kind, in its supreme development, invariably excites the sensitive soul to tears.
I think the chance of finding beauty is higher if you don't work on it directly. Beauty in architecture is driven by practicality. This is what you learn from studying the old townscapes of the Swiss farmers.
Theater has an incredible capacity to move people to social change, to address issues, to inspire social revolution.
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