I'm always drawn to stories that people don't know about, particularly when they're inside of a story that everyone knows about.
Robert RedfordRead
We've poisoned the air, the water, and the land. In our passion to control nature, things have gone out of control. Progress from now on has to mean something different. We're running out of resources and we are running out of time.
Interpretation
This quote warns about the environmental damage caused by human actions and calls for a redefinition of progress.
Robert Redford's quote highlights the detrimental impact of human intervention on the environment, emphasizing that our desire to dominate nature has led to severe consequences for the planet. It underscores the urgent need to reassess our notions of progress, urging society to adopt a more sustainable and conscious approach to resource management as we face diminishing resources and time.
In practice
In a speech at an environmental conference, this quote can highlight the need for action against pollution.
I'm always drawn to stories that people don't know about, particularly when they're inside of a story that everyone knows about.
People say I've gone against Hollywood, but I've tried to be independent within Hollywood, tried to be my own person.
When I was a kid, all I knew was that I felt more comfortable sitting in one chair than in another. And now I realize it was because one chair was older. I still respond directly to the age of things.
For me, the Sundance Institute is just an extension of something I believed in, which is creating a mechanism for new voices to have a place to develop and be heard.
Storytelling was a way to see the world bigger than the one you were looking at, and that had great appeal for me. I think, since that was part of my upbringing, it became part of me, and I wanted to pass it along to my kids and my grandkids.
Be careful of success; it has a dark side.
Wind in my hair, I feel part of everywhere Underneath my being is a road that disappeared Late at night I hear the trees, they're singing with the dead Overhead.
Into every empty corner, into all forgotten things and nooks, nature struggles to pour life, pouring life into the dead, life into life itself.
I don't believe there's anything cosmic or divine or morally superior about whales and dolphins or sharks or trees, but I do think that everything that lives is holy and somehow integrated; and on cloudy days I suspect that these extraordinary phenomena, and the hundreds of tiny, modest versions no one hears about, are an ocean, an earth, a Creator, something shaking us by the collar, demanding our attention, our fear, our vigilance, our respect, our help.
This hill crossed with broken pines and maples lumpy with the burial mounds of uprooted hemlocks (hurricane of '38) out of their rotting hearts generations rise trying once more to become the forest just beyond them tall enough to be called trees in their youth like aspen a bouquet of young beech is gathered they still wear last summer's leaves the lightest brown almost translucent how their stubbornness has decorated the winter woods.
We're adding a billion people every decade. We're just spin doctors. Whatever we do is supposedly great, and yet it's always at the expense of diversity and nature. We're like elephants. The ecology of the elephant is more similar to human than any other.
Nature has a great simplicity and therefore a great beauty.
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