What's important in the filmmaking process has stayed the same. Keep it small, keep it personal, keep it authentic, work with people you like and trust. That process is much longer than the filmmaking process. The development process is a long one, so try and say something of importance.
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Keep your central character moving, discovering, learning.
India is desperately romantic, utterly unashamed of its sentimentality, its generosity, its fierce pride and massive heart.
Real life is messy, and drama is a shaped version of real life.
I guess my approach to adapting books is to treat them with a deep respect on one level and at another level part them to one side and go, 'I'm doing something completely different here.'
I learned to stop being English about things like love. If you make a film in England about love, it's hugely complicated. It's all about saying what the weather is like, and you're secretly telling someone you love them. You know what the English are like; they're very repressed people. You don't get that in India. India is incredibly un-cynical about love. It's a not a complicated thing. It's me, you, love. Let's go.
One doesn’t question a miracle.
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