What's happening in the larger world always influences art. When I first started the gallery in 1959, one of the first things I learned was that most people assume artists know one thing and one thing only - that they were idiot savants. I found very quickly that most artists were very informed and very aware of what was happening in the world around them. So all of those things go together, especially for earthworks. And at that time there was such an intense interest in American art. So there was a great deal of attention paid to where it was going.
Art wasn't for selling. Actually, we once did have an offer on Double Negative. Things could be sold actually - everything could be for sale. But we … - Virginia Dwan
Art wasn't for selling. Actually, we once did have an offer on Double Negative. Things could be sold actually - everything could be for sale. But we …
- Virginia Dwan
Had opened a gallery I already had strong connections with New York, because I was taking work on consignment from New York dealers. So I already kne… - Virginia Dwan
Had opened a gallery I already had strong connections with New York, because I was taking work on consignment from New York dealers. So I already kne…
There's a definite connection in terms of objects at hand - dealing with objects or material at hand. Pop art was very much enamored with popular ima… - Virginia Dwan
There's a definite connection in terms of objects at hand - dealing with objects or material at hand. Pop art was very much enamored with popular ima…
The gallery closed its doors in 1971. I could no longer psychologically handle the needs of 12 artists. I cared about all of them, and what was happe… - Virginia Dwan
The gallery closed its doors in 1971. I could no longer psychologically handle the needs of 12 artists. I cared about all of them, and what was happe…
Quite honestly, even as a woman dealer, I really wasn't interested in masculinity or femininity as such. What was important to me was the value of th… - Virginia Dwan
Quite honestly, even as a woman dealer, I really wasn't interested in masculinity or femininity as such. What was important to me was the value of th…
I enjoyed cross-country road trips. And I found the work challenging because it was art that existed on the land rather than mere concepts in a galle… - Virginia Dwan
I enjoyed cross-country road trips. And I found the work challenging because it was art that existed on the land rather than mere concepts in a galle…
I remember very vividly. I was here in New York. Nancy Holt called me and - I feel unhappy thinking about it - she said that Bob Smithson had died. I… - Virginia Dwan
I remember very vividly. I was here in New York. Nancy Holt called me and - I feel unhappy thinking about it - she said that Bob Smithson had died. I…
I think that Walter De Maria's Lightning Field, Michael Heizer's City, and Charles Ross's work in Star Axis New Mexico , all three will last for a mi… - Virginia Dwan
I think that Walter De Maria's Lightning Field, Michael Heizer's City, and Charles Ross's work in Star Axis New Mexico , all three will last for a mi…
I opened with Edward Kienholz's The Beanery, and that's such a controversial piece that I think that brought people right away. It was a room-size wo… - Virginia Dwan
I opened with Edward Kienholz's The Beanery, and that's such a controversial piece that I think that brought people right away. It was a room-size wo…
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