To me, rock music was never meant to be safe. I think there needs to be an element of intrigue, mystery, subversiveness. Your parents should hate it.
Trent ReznorRead
I think the whole aspect of social networking is vulgar and repulsive in a lot of ways. But I also see why it's appealing - I've had that little high you get from posting stuff online. But then you think, 'Did I need to say that?' I've explored that enough to know to stay kind of quiet these days.
Interpretation
The quote reflects a critical perspective on social networking while acknowledging its appeal.
Trent Reznor expresses a conflicted view on social networking, recognizing its vulgarity but also its addictive quality. He admits to experiencing the fleeting pleasure that comes from sharing online, yet contemplates the necessity of such expressions, ultimately deciding to maintain a more reserved presence on these platforms.
In practice
In a discussion on the impact of social media on mental health, this quote can illustrate the double-edged nature of online sharing.
To me, rock music was never meant to be safe. I think there needs to be an element of intrigue, mystery, subversiveness. Your parents should hate it.
Though I still have no semblance of a life outside of Nine Inch Nails at the moment, I realize my goals have gone from getting a record deal or selling another record to being a better person, more well-rounded, having friends, having a relationship with somebody.
I lived a fairly average, anonymous small-town life till I got the idea to do Nine Inch Nails. Then I locked myself in a studio for a year, and then got off the tour bus two years after that, and I didn't know who I'd turned into.
You're standing onstage in a sold-out arena with people singing your music, and you feel like the loneliest person in the world. Because here's a party that, essentially, it's for you. And you still somehow feel like you don't belong there. Those people all have their lives and go back home.
My music has been a sort of personal therapy. It's got me out of tough times, it has been the friend that I needed, when I didn't have a friend there.
I've attended many concerts where I felt let down and I was wishing it would be something else. Not that it's their duty to please me, but at the same time, I think a lot about what it's like through the eyes of the consumer, the fan. I want not to pander to the audience, but to be aware of them.
In the face of technology, everything becomes a little atavistic.
How do we convince people that in programming simplicity and clarity - in short: what mathematicians call elegance - are not a dispensable luxury, but a crucial matter that decides between success and failure?
If you just hold your cell phone for 30 seconds and think backwards through its production, you have the entire techno-industrial culture wrapped up there. You can't have that device without everything that goes with it.
I see the player piano as the grandfather of the computer, the ancestor of the entire nightmare we live in, the birth of the binary world where there is no option other than yes or no and where there is no refuge.
There is a demon in technology. It was put there by man and man will have to exorcise it before technological civilization can achieve the eighteenth-century ideal of humane civilized life.
There's a danger in the internet and social media. The notion that information is enough, that more and more information is enough, that you don't have to think, you just have to get more information - gets very dangerous.
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