I have wasted the greater part of my life looking for money and trying to get along, trying to make my work from this terribly expensive paintbox, which is a movie. And I've spent too much energy on things that have nothing to do with making a movie. It's about two percent moviemaking and ninety-eight percent hustling. It's no way to spend a life.

Musicians want to be the loud voice for so many quiet hearts.

What, or who, led you to take up photography, and about what date ?_x000D_ George Bernard Shaw – I always wanted to draw and paint. I had no literary ambition. I aspired to be a Michelangelo, not a Shakespeare. But I could not draw well enough to satisfy myself; and the instruction I could get was worse than useless. So when dry plates and push buttons came into the market I bought a box camera and began pushing the button. It was in 1898.

After years of doing composition, the risk is always that you might start to repeat and be cliche. Every time, I try find a way to be reborn again as an artist. Its not easy to reinvent yourself every time, as it takes a lot of creative energy, but I am happy to do it.

It takes time to get a dance right, to create something memorable.

I tend to jot down moments, lines, interactions that don't really make any sense. I try and explain these scattered notes to my close friends, and they become more and more logical. I see screenwriting as a bit like a math equation which I have to solve.