You can never take too much care over the choice of your shoes. Too many women think that they are unimportant, but the real proof of an elegant woman is what is on her feet.
Christian DiorRead
Without foundations, there can be no fashion.
Interpretation
Foundational principles are essential for creativity and style.
This quote by Christian Dior highlights the importance of having strong foundational elements in any form of expression, particularly in fashion. Without a solid base, innovative designs and trends lack substance and coherence, emphasizing that true creativity is built upon established principles and knowledge.
In practice
This quote could be used in a fashion design class to emphasize the importance of fundamentals.
You can never take too much care over the choice of your shoes. Too many women think that they are unimportant, but the real proof of an elegant woman is what is on her feet.
Elegance must be the right combination of distinction, naturalness, care and simplicity. Outside this, believe me, there is no elegance. Only pretension.
Women, with their sure instincts, realized that my intention was to make them not just more beautiful but also happier.
All I required to be happy was friendship and people I could admire.
Finally, everything that has been part of my life, whether I wanted it to or not, has expressed itself in my dresses.
We were emerging from the period of war, of uniforms, of women-soldiers built like boxers. I drew women-flowers, soft shoulders, fine waists like liana and wide skirts like corolla.
I certainly agree that putting everything into little genres is counterproductive. You're not going to get too many surprises if you only focus on the stuff that fits inside the box that you know.
I eagerly await new concepts and processes. I believe that the electronic image will be the next major advance. Such systems will have their own inherent and inescapable structural characteristics, and the artist and functional practitioner will again strive to comprehend and control them.
I dreamed of having a book of my own, of writing one that I could put on a shelf.
Over time, I have come to see the work of literature less as narrating the world than "seeing the world with words." From the moment he begins to use words like colors in a painting, a writer can begin to see how wondrous and surprising the world is, and he breaks the bones of language to find his own voice. For this he needs paper, a pen, and the optimism of a child looking at the world for the first time.
But most commonly, it's one poem that I work on with a lot of intensity.
You cut up a thing that's alive and beautiful to find out how it's alive and why it's beautiful, and before you know it, it's neither of those things, and you're standing there with blood on your face and tears in your sight and only the terrible ache of guilt to show for it.
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