One can acquire everything in solitude except character.
StendhalRead
I think no woman I have had ever gave me so sweet a moment, or at so light a price, as the moment I owe to a newly heard musical phrase.
Interpretation
The quote expresses the profound joy and value derived from music, suggesting it can bring sweet moments at little cost.
Stendhal highlights the special and enriching experiences that music can provide, comparing it to the moments shared with others, particularly women. He conveys that the beauty and emotional impact of a newly encountered piece of music can surpass even cherished moments in relationships, emphasizing the deep connection and pleasure that art, specifically music, can evoke in our lives.
In practice
This quote could be shared during a discussion about the impact of music on our emotions.
One can acquire everything in solitude except character.
True love makes the thought of death frequent, easy, without terrors; it merely becomes the standard of comparison, the price one would pay for many things.
In love, unlike most other passions, the recollection of what you have had and lost is always better than what you can hope for in the future.
A very small degree of hope is sufficient to cause the birth of love.
If you don't love me, it does not matter, anyway I can love for both of us.
Pleasure is often spoiled by describing it.
I'm not a playwright. The people in my songs are all me.
Like a cartoon world, where the figures are flat and outlined in black, jerking through some kind of goofy story that might be real funny if it weren't for the cartoon figures being real guys.
Actors are always afraid of ending up like overcooked old soup over time. What's risky is that you don't realize this has happened, and you just get thick and boring. Going abroad was like getting a new pot to cook everything again. I was a rookie, a new self. And they were asking me, 'Who are you?'
The eye speaks with an eloquence and truthfulness surpassing speech. It is the window out of which the winged thoughts often fly unwittingly. It is the tiny magic mirror on whose crystal surface the moods of feeling fitfully play, like the sunlight and shadow on a still stream.
Seeing yourself in print is such an amazing concept: you can get so much attention without having to actually show up somewhere... You don't have to dress up, for instance, and you can't hear them boo you right away.
These people live again in print as intensely as when their images were captured on old dry plates of sixty years ago... I am walking in their alleys, standing in their rooms and sheds and workshops, looking in and out of their windows. Any they in turn seem to be aware of me.
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