Here's my unsolicited advice to any aspiring screenwriters who might be reading this: Don’t ever agonize about the hordes of other writers who are ostensibly your competition. No one else is capable of doing what you do.
Diablo CodyRead
You know, it shouldn't just be about women as heroic figures overcoming things, it just needs to be about women in general getting the opportunity to play a multitude of roles, telling a multitude of stories - just to express human experience from a woman's perspective. I hope, someday, we can get to that point. I'm all about representation.
Interpretation
The quote emphasizes the importance of diverse representation of women in storytelling.
Diablo Cody highlights the need for broader opportunities for women in media and storytelling, advocating for diverse portrayals that go beyond just heroic narratives. She expresses the hope that society will evolve to allow women to represent the full range of human experiences, thus enriching the collective narrative and fostering representation in various roles.
In practice
During a panel discussion on media representation, this quote can support the call for diverse narratives.
Here's my unsolicited advice to any aspiring screenwriters who might be reading this: Don’t ever agonize about the hordes of other writers who are ostensibly your competition. No one else is capable of doing what you do.
In my opinion, the best thing you can do is find a person who loves you for exactly what you are. Good mood, bad mood, ugly, pretty, handsome, what have you, the right person will still think the sun shines out your ass. That's the kind of person that's worth sticking with.
If I paint a wild horse, you might not see the horse... but surely you will see the wildness!
Art is a step in the known toward the unknown
There is a music for lonely hearts nearly always. If the music dies down there is a silence. Almost the same as the movement of music. To know silence perfectly is to know music.
Because each photograph is only a fragment, its moral and emotional weight depends on where it is inserted. A photograph changes according to the context in which it is seen: thus Smith's Minamata photographs will seem different on a contact sheet, in a gallery, in a political demonstration, in a police file, in a photographic magazine, in a book, on a living-room wall. Each o these situations suggest a different use for the photographs but none can secure their meaning.
Woman can best refind herself by losing herself in some kind of creative activity of her own.
You have a lifetime to learn technique. But I can teach you what is more important than technique, how to see; learn that and all you have to do afterwards is press the shutter.
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